Elle Fanning attended the 37th Annual Palm Springs International Film Festival Film Awards on January 3, 2026, photographed in couture fashion.
Elle Fanning Palm Springs Film Festival Awards January 3, 2026. Cartier Panthère de Cartier Ring. Cartier Baignoire Watch.
Mint green. Satin finish, bodice structured, neckline angular. Dress long, floor brushing, fabric catching light. Body framed, pose steady.
Jewelry small but sharp. Ring paved, watch slim, details precise. Accessories not loud, but deliberate.
Millie Bobby Brown and Sadie Sink appeared in a Netflix photoshoot in January 2026, photographed in a retro-styled editorial setting.
Retro room. Wood panels, plaid wallpaper, shelves stacked with books, board games, VHS tapes. CRT television with rabbit ears, tapes labeled Family Video . A set built to feel lived-in, almost too familiar.
Millie on the left. Outfit casual, pose angled, presence steady. Sadie on the right. Outfit sharp, hair neat, body relaxed but deliberate.
Between them, four others. Group styling mixed — vintage hints, modern edges. Clothes layered, textures varied, colors muted against the wallpaper.
It feels nostalgic. A room caught between decades, fashion caught between eras. A look framed by rabbit ears, VHS stacks, plaid walls.
There’s honesty here. Clothes chosen for mood, set chosen for memory, poses chosen for rhythm. A frame caught between retro grit and Netflix polish.
Not just a photoshoot. More like a pause in nostalgia — Millie against paneling, Sadie against wallpaper, group against time.
Kylie Jenner attended the 37th Annual Palm Springs International Film Festival Film Awards on January 3, 2026, photographed in a custom couture gown.
Kylie Jenner Palm Springs Film Festival Awards January 3, 2026. Ludovic De Saint Sernin Custom Dress.
Copper shimmer. Dress tight, fabric clings, neckline clean. Light catches, bends, shifts. Body framed, pose steady.
Phone in hand, casual, almost careless. Hair loose, natural, not overdone. Jewelry minimal, barely there.
Expression calm. Pose direct, body upright, presence steady. No fuss, no exaggerated gesture. Just copper against dim light, silhouette against crowd.
There’s honesty here. Clothes chosen for impact, accessory for function, setting for tone. A frame caught between couture sheen and lived-in gesture.
Not just a red carpet arrival. More like a pause in copper — dress against shadow, phone against hand, body against room.
