Elle Fanning channels pastoral cool in Coach’s latest handbag drop—leather, motion, and a whisper of nostalgia wrapped in one windswept, cinematic frame.
There’s a kind of magic that happens when Elle Fanning steps into nature—especially when she’s styled like a heroine from a forgotten Sofia Coppola short. For Coach’s Fall 2025 handbag campaign, Fanning trades red carpet drama for something quieter, more tactile: a moment of movement, leather, and light.
Shot against a lush green backdrop, the campaign captures Fanning mid-motion, her long blonde hair caught in a breeze that feels almost scripted. She wears a rich brown leather jacket—structured but soft, with a lived-in patina that nods to vintage Americana. The silhouette is classic Coach: utilitarian with a hint of rebellion, like a varsity jacket reimagined for the runway.
But the real star here is the handbag. Slung over her shoulder, the dark brown leather piece features a metallic clasp and a subtle tag—likely Coach’s signature branding. It’s the kind of bag that doesn’t scream for attention but earns it anyway, thanks to its sculptural shape and impeccable finish. The synergy between jacket and bag is unmistakable: tonal harmony, texture play, and a shared sense of grounded luxury.
Coach’s Fall 2025 collection leans into heritage with a twist, and Fanning is the perfect muse for that narrative. She’s part of a new wave of celebrity style that favors authenticity over spectacle, craftsmanship over chaos.
Never one to play it safe, Tessa Thompson’s latest editorial for S Magazine proves she is still a fashion force, deftly fusing classic sophistication with a modern, edgy sensibility. The ‘Film Issue’ spread for Fall 2025 captures the actor in a series of looks that are both aspirational and deeply personal.
Thompson’s fashion narrative for the magazine is a masterclass in contrasts, weaving together soft textures with sharp tailoring. The first look sees her in a pristine white bouclé jacket, its tactile surface dotted with small, dark buttons. This Chanel-esque piece has a slightly oversized, structured silhouette that balances its delicate feel. A cascading, statement necklace of oversized pearls and gold beads adds a whimsical, almost regal touch, drawing the eye down and creating a striking vertical line. Her hair, long and straight, frames her face, and her makeup—a smoked-out eye and a subtle nude lip—lends a quiet intensity to the portrait. This look is about subtle power, a quiet command of both elegance and attitude.
In another shot, Thompson completely transforms her vibe, trading the polished jacket for a more rugged, earth-toned ensemble. A ribbed knit tank in a warm taupe is paired with a matching flowing skirt, cinched at the waist with a thick, dark leather belt. The most unexpected element? Long, glove-like leather arm gauntlets that lend an almost post-apocalyptic or medieval feel to the outfit, suggesting a narrative beyond simple style. Is this couture’s nod to warrior chic? The pose is direct, confident, and unapologetic, with a gaze that holds the camera’s attention.
The final, and perhaps most impactful, look from the cover shows her in a vibrant red coat , its loose, fluid form creating a powerful silhouette. She holds the lapel with a nonchalant grace, revealing a graphic, black-and-white patterned top underneath. This bold, singular piece of outerwear acts as a statement, a pop of defiant color against an otherwise moody backdrop. The styling is impeccable, with a sense of deliberate contrast that is a hallmark of her most compelling celebrity fashion moments.
Elle Fanning leaned into retro-femme elegance with a textured Chanel twinset and Louboutin metallics—TIFF’s first day felt less like press and more like a runway rehearsal.
There’s something quietly cinematic about Elle Fanning’s presence—like she’s perpetually caught between ingénue and auteur. On day one of the Hollywood Reporter TIFF Studio in Toronto, the actress arrived in a look that felt lifted from a Nouvelle Vague storyboard: polished, pastel, and just a touch surreal.
The outfit, plucked from the Chanel Resort 2026 collection, was a study in tactile nostalgia. A textured light blue jacket with a wide collar and oversized buttons anchored the silhouette, paired with a matching skirt that skimmed the thigh with just enough structure to suggest 1960s couture. It’s the kind of ensemble that whispers rather than shouts—though the craftsmanship speaks volumes.
Her accessories, however, did the talking. Christian Louboutin’s Miss Z Metallic Leather Pumps added a flash of futurism beneath the hemline, their mirrored finish catching the studio lights like paparazzi bulbs. A Cartier 18 Karat White Gold Five Row Diamond Eternity Ring—worn with the kind of nonchalance only Fanning can pull off—brought a quiet opulence to the look, balancing the softness of the fabric with the precision of high jewelry.
For more moments like this, explore our curated archive of celebrity style that continues to shape the fashion conversation.
