Ellen Pompeo wore an oversized striped shirt and loose white pants while out grocery shopping in Studio City on February 4, 2026.
There’s something eternally satisfying about a loose button-down. On February 4, 2026, Ellen Pompeo walked through Studio City wearing just that — oversized but intentional, muted but still making a point.
She paired a blue-and-white striped button-down with a pair of flowy white wide-leg pants , and the whole thing looked like it was built for 72°F weather and a midmorning grocery run at Erewhon. The shirt is long and untucked, sleeves casually pushed up — it’s oversized in that practical California way: not edgy, just comfortably bigger than expected. There’s no belt, no layers, no styling trickery. That’s the appeal. It’s all in the effortless style of just throwing it on and leaving the house.
She’s holding her phone and talking — no posing, no “look at this outfit” posture. But then you notice the sunglasses. Classic black frames that tie it all together without trying too hard. The black leather tote feels like a structured touch in an otherwise slouchy look — just enough polish to keep it grounded.
Honestly, this is the kind of celebrity street style I care about. Quiet clothes with room to breathe. Real fabric. Real fit. No weird shoes.
Just Ellen. Mid-conversation. Midday. Looking unbothered in the best way.
Melanie Griffith wore cropped leggings and a black top while running errands in Los Angeles, debuting a new short hairstyle on February 4.
This was the day Melanie Griffith ditched the long layers and went short — and honestly, it suits her. Spotted on February 4, 2026, during a low-key run through a Los Angeles parking garage, she rolled up looking practical, pared-back, and unbothered.
She wore a black button-up sweater over what looks like a fitted black top. Slim capri-length leggings , in that smooth athletic fabric you never need to fuss with, hit just below the knees. On her feet? Chunky double-strap slides — not overly trendy, just serviceable. There’s a small crossbody bag slung across her chest and a bottle of Fiji water in-hand. That’s it. No sunglasses. No jewelry. Just her and the new hair taking over the sidewalk light.
The cut is the most noticeable thing here, and for good reason. It’s tousled and short — a little uneven in the best way, framed neatly around her face with a kind of ’90s-retired-rockstar softness.
Here’s what works: the outfit doesn’t compete. It lets the hair lead. The whole look is effortless style in the literal sense — clothes made for movement, for errands, for being left alone in public.
Honestly, this might be the most honest kind of celebrity street style . Not posed. Not styled. Just a woman getting things done — with a little new-hair energy on the side.
Lucy Liu wore two contrasting outfits while filming Superfakes in Chinatown, Manhattan February 2026, blending polished fashion with gritty urban street style.
Lucy Liu was spotted filming Superfakes in Chinatown, Manhattan, and the outfits couldn’t be more different. Two looks, two moods, same sharp presence.
First outfit: a blue fur jacket paired with light blue pants marked by a dark stripe down the side. Silver high heels catch the wet pavement, and a white quilted handbag with a pom‑pom swings casually. The whole thing feels playful against the graffiti‑covered wall. If you ask me, the jacket does all the work here — it’s bold enough that everything else just follows along.
Second outfit: a shiny silver suit with matching heels , pushing a cart stacked with cardboard boxes. Industrial backdrop, graffiti, posters, cones. It’s almost absurd — formal wear in a loading zone. But that’s the point. The grit makes the shine louder. I’ll say it: this one feels like a fashion photoshoot idea dropped straight into everyday chaos.
Together, the two looks show how costume design can lean into contrast. One polished but playful, the other metallic and surreal. The best part? Neither tries to be glamorous — they just sit inside the city’s mess and let the clash speak.
Closing thought: the silver suit against graffiti is the image that sticks — like a flash of chrome in a back alley, strange but unforgettable.
