A satin red lip, sculpted cheekbones, and a smokey eye that whispers — Ellie Bamber’s beauty look at Mithridate is pure makeup inspiration with editorial finesse.
Ellie Bamber didn’t just attend the Mithridate show — she arrived with a beauty look that could headline its own runway. At London Fashion Week, September 19, 2025, Bamber delivered a masterclass in red carpet beauty that fused classic glam with modern restraint.
Her skin, radiant yet softly matte, evokes the finish of backstage skin prep — think light diffusion meets strategic hydration. The base is seamless, with no visible texture, allowing the rest of the look to build without distraction. It’s the kind of radiant skin that whispers “I woke up like this,” but we know better.
Then there’s the lip — a bold, satin red that commands attention without overpowering. It’s not glossy, not matte — just that perfect in-between that feels editorial. Paired with a smokey eye in muted taupe and charcoal tones, the makeup balances drama with elegance. No harsh lines, no glitter — just refined shadow play that enhances her gaze.
Her hair, parted cleanly down the center and pulled back with surgical precision, adds to the overall polish. It’s a hairstyle that evokes runway minimalism — sleek, unfussy, and designed to frame the face rather than compete with it.
This beauty look isn’t about excess. It’s about control — every element chosen, placed, and executed with intention. In a sea of overdone glam, Ellie Bamber’s approach feels like a quiet rebellion. It’s makeup that respects the face it’s on.
Red lips, smokey eyes, and skin that catches light just right — is Ellie Bamber quietly rewriting the rules of red carpet beauty?
For more celebrity beauty inspiration, explore our celebrity style archive.
Candice Swanepoel, Amelia Gray, and Daiane Sodre unveil a sculptural active glamour for the Alo campaign, defining the new high fashion codes of the luxury wellness photoshoot (—a power trio commanding the ultimate styled shoot from Steven Meisel).
When the biggest names in the industry—Meisel, Cerf de Dudzeele, and models like Candice Swanepoel —converge, the result is never just an ad; it’s a cultural shift. Alo’s latest fashion photoshoot for their first bag collection is a potent study in elevated athleticism, transforming activewear into a bold statement of high fashion .
The campaign image captures the three models in a dynamic tableau, seamlessly blending strength with a sultry, wet-look sheen. Each woman embodies a powerful, confident pose , their bodies positioned to highlight the precision-cut silhouette of the Alo activewear. The garments themselves—matching sports bras and leggings —are rendered in dark, saturated colors, their performance texture emphasized by the dramatic studio portrait lighting. This minimal canvas allows the eye to focus entirely on the models’ presence and the high-end accessories.
The crucial design story here lies in the accessories . Candice Swanepoel, Amelia Gray, and Daiane Sodre are each styled with key pieces from The Bag Collection , such as the quilted Balance Bucket bag and other structured luxury totes. This pairing of athletic wear with high-end, non-gym accessories —adorned with the signature Alo Intention Crystal —signals the brand’s clear ambition to move beyond the mat and into the daily luxury market.
The beauty shot is defined by a fierce, cohesive aesthetic across all three: hair is slicked back with a ‘just worked up a sweat’ appearance, creating a sleek, almost molded silhouette around the face. The makeup is minimal, highlighting a healthy, glossy skin texture that catches the light in a striking, hyper-real way. This intentional styling choice by Guido Palau and Pat McGrath ensures the atmosphere is raw, powerful, and utterly glamorous.
This is a new archetype of luxury—where the confidence of the gym meets the craftsmanship of a major fashion house. The trio’s commanding presence under Meisel’s lens solidifies this campaign as the moment luxury wellness took its place in the editorial hierarchy.
A wet-hair close-up, a golden bird in hand, and a gaze that disarms — Anya Taylor-Joy turns Tiffany’s high fashion into quiet intimacy.
There’s something arresting about restraint. In Tiffany & Co.’s September 2025 editorial for the Bird on a Rock collection, Anya Taylor-Joy strips away the excess and lets the jewelry speak — softly, but unmistakably.
Her hair, damp and tousled, evokes the rawness of a Helmut Newton beauty shot — sensual without spectacle. No elaborate styling, no dramatic lighting tricks. Just a woman, a necklace, and a moment.
The centerpiece? A golden pendant shaped like a bird, wings outstretched, encrusted with what appear to be diamonds. It’s Tiffany’s Bird on a Rock — a design that’s both whimsical and regal, perched delicately at the base of her throat. She holds it with one hand, drawing the eye not just to the craftsmanship, but to the gesture itself — intimate, almost protective.
Explore more editorial moments in our celebrity photos archive.
