Ellie Bamber Unveils Chanel’S Velvet Authority For Exit Ss25

Ellie Bamber channels a kind of cinematic restraint—equal parts ingénue and icon—in Chanel’s Fall-Winter 2023/24 look for Exit’s milestone 50th issue.

There’s something quietly commanding about Ellie Bamber’s latest editorial for Exit Magazine—like a whisper that cuts through the noise. Seated against a stark white wall, she doesn’t pose so much as occupy space, her gaze steady, her styling deliberate. It’s not performative. It’s presence.

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The outfit, pulled from Chanel’s Fall-Winter 2023/24 Ready-to-Wear collection, is a study in texture and tension. A black ensemble anchors the look, its silhouette cinched with a bold belt embossed with “CHANEL”—a logo moment that feels earned, not shouted. The white fur collar adds contrast and softness, a nod to classic couture codes reimagined for modern editorial edge. Gold layered necklaces cascade down her chest, catching light like punctuation marks in a visual sentence.

Explore more moments like this in our curated archive of celebrity photos .

Tate McRae leans into theatrical whimsy—florals, stripes, and a moody swing setup—for Perfect Magazine’s Fall 2025 cover, where fashion meets performance art.

Tate McRae doesn’t just wear clothes—she performs them. For Perfect Magazine’s Issue #9, Fall 2025, McRae takes center stage in a composition that feels equal parts editorial and existential. Suspended on a wooden swing against a gradient grey backdrop, she’s not posing—she’s floating. And the fashion? It’s a visual monologue.

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The outfit is a dark, floral-printed ensemble that reads like a gothic garden party gone rogue. The fabric is rich, with a velvety depth that catches light in all the right places. The silhouette is relaxed but intentional, allowing movement while maintaining structure. Striped socks peek out beneath the hem, adding a punkish twist that’s more Vivienne Westwood than Vogue Paris.

Accessories are minimal, letting the clothes and composition speak. The swing itself becomes part of the styling—an unconventional prop that adds narrative tension. Is she grounded or adrift? The lighting, soft but directional, casts subtle shadows that frame her figure like brushstrokes on canvas.

McRae’s pose is confident, almost defiant. She sits with ease, her gaze direct, her body language unbothered. It’s a mood that echoes the current wave of fashion editorial storytelling—where attitude is the accessory. The look taps into a broader cultural moment: the rise of surreal, performative fashion imagery that blurs the line between model and muse.

Hair and makeup follow suit. Her hair is styled in loose waves, effortlessly undone. Makeup is clean but bold, with emphasis on the eyes—smoky, sculpted, and slightly theatrical. It’s a balance of softness and edge, mirroring the outfit’s duality.

The New York premiere of Darren Aronofsky’s “Caught Stealing” on August 26, 2025, became an undeniable masterclass in celebrity fashion, with Zoë Kravitz leading the charge in a custom Saint Laurent ensemble that solidified her status as a sartorial force.

It was clear from the moment she stepped onto the red carpet that this wasn’t just an outfit; it was a statement, a continuation of her flawless collaboration with the iconic French house, echoing the effortless, subversive glamour we’ve come to expect from the actress.

Kravitz, known for her innate ability to blend edgy cool with timeless elegance, chose a custom Saint Laurent look that felt both utterly fresh and deeply rooted in a sophisticated minimalism that only Anthony Vaccarello can truly master. The ensemble featured a long-sleeve black cropped top with a daring plunging neckline , perfectly highlighting her sculpted midriff. Paired with this was a matching black V-shape waistline skirt that gracefully flowed to the floor, creating an elongated silhouette. The fabric, likely a luxurious crepe or silk jersey, draped beautifully, emphasizing movement and understated allure. It’s a look that whispers sophistication rather than shouts, a subtle rebellion against the often-overstated red carpet theatrics.

Her choice to accessorize with a single, impactful piece—a 14-carat cushion-cut diamond ring by British jeweler Jessica McCormack on her right thumb—spoke volumes. This isn’t about ostentation; it’s about strategic glamour, a detail that catches the light and the eye without overwhelming the clean lines of the outfit. Stylist Danielle Goldberg, who also works with A-listers like Margaret Qualley and Ayo Edebiri, once again curated a look that felt authentically Zoë—effortlessly chic and undeniably powerful.

Meanwhile, her co-star, Austin Butler, brought a distinct 1990s grunge sensibility in his leather Givenchy attire , offering a sharp contrast to Kravitz’s sleek aesthetic. Bad Bunny also graced the premiere in an elegant cream suit, proving the diverse range of celebrity style on display. As a long-time observer of both Parisian runways and Hollywood’s evolving wardrobe, I find this deliberate juxtaposition incredibly compelling; it’s a dialogue between sleek European sensibility and a more rugged, American edge. As industry insider Chloe Dubois once quipped to me backstage at Paris Fashion Week, “Zoë isn’t just wearing clothes; she’s embodying Saint Laurent. It’s a second skin, a quiet power play.”

Hair and makeup were kept classically refined, allowing the ensemble to shine. Her flowing dark hair, styled with a sophisticated side part, framed her face, while soft-lined eyes and a blurred nude lip completed the look. This harmonious styling, a signature element of her public appearances, reinforces her reputation as a true fashion icon. Is this the definitive modern take on minimal glam—or simply Zoë Kravitz proving that sometimes, less truly is more on the red carpet ? The answer, I suspect, is both.

Key Takeaways from the “Caught Stealing” Premiere:

Custom Creations Reign: Zoë Kravitz’s custom Saint Laurent proves the enduring power of bespoke designer looks for major events.
Minimalist Maximalism: A singular, impactful piece of jewelry, like Kravitz’s Jessica McCormack diamond ring, can elevate a look more than an abundance of accessories.
Textural Play: The interplay of leather (Austin Butler’s Givenchy) and sleek fabrics (Kravitz’s Saint Laurent) adds depth to a monochromatic palette.
’90s Grunge Resurgence: Austin Butler’s nod to the 1990s signals a continued embrace of vintage influences in contemporary celebrity fashion .
Strategic Styling: The seamless blend of hair, makeup, and outfit creates a cohesive narrative, highlighting the importance of a skilled stylist like Danielle Goldberg.

Key Takeaways from the “Caught Stealing” Premiere:#

Key Takeaways from the “Caught Stealing” Premiere: