Ellie Goulding wore a black coat, crop top, and heels with maternity styling at The Fashion Awards 2025 in London.

Ellie Goulding’s appearance at The Fashion Awards 2025, held at the Royal Albert Hall in London, was a confident redefinition of maternity fashion. Her black crop top , tailored black pants , and long black coat created a silhouette that was both sleek and subversive. The exposed pregnant belly , framed by minimalist styling and black high heels , turned the ensemble into a statement of autonomy.

Goulding’s black sunglasses , necklace , and rings added edge, while her posture — upright, composed, and unapologetic — reinforced the look’s power. This wasn’t a soft maternal moment; it was a fashion-forward assertion of presence. The classical architecture and dramatic lighting behind her only amplified the contrast between tradition and modernity.

Jessica Alexander wore a textured red long-sleeved dress and brown heels at The Fashion Awards 2025 in London.

Jessica Alexander’s appearance at The Fashion Awards 2025, held at the Royal Albert Hall in London, was a quiet assertion of sculptural elegance. Her form-fitting red dress , with long sleeves and a textured finish , embraced the body with architectural precision. The below-the-knee length and clean silhouette suggested restraint, while the brown high-heeled sandals added a subtle earthiness to the otherwise saturated palette.

Alexander’s short, sleek hair and minimal accessories — earrings and rings — reinforced the look’s modernist clarity. Against the stylized Pandora backdrop, the ensemble read as a study in tonal control and tactile depth. This wasn’t a look designed to dominate the red carpet; it was one that invited closer inspection.

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Jessie Ware wore a layered look with yellow skirt, gray jacket, and blue clutch at The Fashion Awards 2025 in London.

Jessie Ware’s appearance at The Fashion Awards 2025, held at the Royal Albert Hall in London, was a study in joyful contradiction. Her layered ensemble — a shiny gray jacket with oversized buttons , peach shirt with extended cuffs , light green tie , and voluminous yellow skirt — felt like a sartorial collage assembled with theatrical precision. The pointed brown shoes and bright blue clutch bag added punctuation to an already expressive sentence.

This wasn’t fashion as harmony; it was fashion as tension. Ware’s look played with proportions, textures, and tones in a way that recalled Comme des Garçons’ anti-fashion ethos, but with a distinctly celebratory twist. Her confident stance on the staircase, surrounded by classical architecture and dramatic lighting, turned the outfit into a tableau of curated chaos.