Elsa Hosk wore a vintage 90s red polka dot cyclist tee with red shorts and Gucci sunglasses in her Instagram Story on January 1, 2026.
January 1, 2026. A bedroom, sunlight filtering through sheer curtains, white linens tucked neat on the bed. Elsa Hosk stood in front of the mirror, phone raised, outfit sharp but playful.
White tee, oversized, stamped with bold red polka dots. Vintage Tour de France, Champion Supermarché sponsor logo — rare, first‑version promo piece. Paired with red shorts, buttons visible, label peeking. Comme Si La Boxer Classica, worn like streetwear.
Accessories kept blunt. Gucci rectangular sunglasses, black frames heavy against the light. Gold earrings catching a flicker. Tiffany & Co. Soleste oval ring on her hand, subtle but present. The phone itself — Apple silicone case in midnight — part of the look, almost.
Elsa Hosk wore Belle the Label Finch shorts with a Gucci belt and Hermes Mini Kelly bag in her January 3, 2026 photoshoot.
January 3, 2026. Indoors, bookshelf stacked with books, tiled floor catching the light. Elsa Hosk leaned against the shelf, one arm resting, the other holding a small lime‑colored Hermes Mini Kelly.
Black top, fitted. White shorts dotted with polka, cinched at the waist with Gucci’s GG Marmont beige leather belt. The shorts carried a playful rhythm, the belt grounding it with structure. Feet in The Row’s Sacha leather thong sandals, minimal, almost invisible against the look.
Accessories sharp. Courrèges Hybrid 01 sunglasses, black frames cutting across her face. Tiffany & Co. Soleste oval engagement ring glinting faintly. The bag — Hermes Epsom Mini Kelly Sellier 20 in lime — loud in color but small in size, a deliberate clash.
Sophie Turner posed in a series of tailored suits — oversized, layered, and styled with minimal accessories — for a Net‑a‑Porter photoshoot in January 2026.
January 2026. Studio light fading into gradient, then shifting to stark white, then outdoors against skyline dusk. Sophie Turner moved through each frame in suits that felt different but connected.
One look: black oversized suit, blazer loose, trousers wide, no shirt underneath. A gold chain at the neck, blunt, almost careless. The outfit leaned on absence — no layers, no fuss, just fabric and attitude.
Another: pinstripe tailoring, blazer long, trousers cut wide, striped shirt underneath left partly unbuttoned. It wasn’t polished, more like a shrug in fabric form. A suit worn undone, casual but deliberate.
Then a softer shift. Beige overcoat layered over a black vest and white shirt with exaggerated tails. Hands in pockets, gaze off to the side. The outfit felt urban, twilight‑ready, less about glamour, more about rhythm.
And finally, plaid shirt oversized, paired with faded jeans. Relaxed stance, hands in pockets. A look that stripped tailoring down to its most casual form.
