Emeline Hoareau wore Givenchy, Alberta Ferretti, Simone Rocha, and Miu Miu in Harper’s Bazaar UK March 2026 editorial photoshoot.
Imogen Poots wore a textured black bouclé jacket and pants by Stella McCartney for Harper’s Bazaar UK March 2026.
It’s rare for a black look to feel this unpolished — in a good way. But this one doesn’t blur or disappear. It sits heavy. On purpose.
Imogen Poots appears in the Harper’s Bazaar UK March 2026 fashion spread wearing a matching bouclé jacket and pants by Stella McCartney that leans into softness, but not ease. The texture is thick and forceful, almost sponge-like in places. No gloss here. Just matte muteness, all black, grounded further by sharp pointed heels from Jimmy Choo that poke the edge of the frame like punctuation — not quite delicate, barely feminine.
What I like is that there’s no jewelry overload. Just a white gold and onyx Tiffany & Co. ring , high-shine and minimal. It’s styling detail used more for rhythm than for flair. Hair’s undone in a shaggy part-curl, part-wave cut, and her pose — seated low, looking out instead of up — makes the whole thing feel like she’s not performing for it.
In the accompanying interview, Poots talks openly about her role in Kristen Stewart’s directorial debut The Chronology of Water — portraying Lidia Yuknavitch, a woman whose story threads through trauma, writing, and survival. She speaks about not wanting to be “lifted out” of reality by status or stardom, saying even now, she struggles with the idea of becoming “an actual leading lady.” There’s a kind of quiet friction in how that idea rubs up against the kidskin leather and award-season atmosphere of this shoot.
She’s not floating above the moment. She’s anchoring it from the floor — boots dug into it.
Miriam Petche wore a sheer mint floral top and pencil skirt by Fendi for her Elle UK March 2026 feature.
I like when a look feels like air. Or better yet, like something you could crumple in your fist — and it would bounce back.
Miriam Petche appears on the Elle UK March 2026 page in a sheer mint-green floral set by Fendi , and it’s lightweight in every sense of the word. The long-sleeve top is puffed just slightly at the shoulders and wrists — soft volume, not fuss — and zipped down the front with a concealed placket. Beneath it, the matching pencil skirt floats between translucency and structure, printed with lemony dots and white blotted florals. The whole thing feels like it was made for British light.
But what gives this look depth is where it shows up. Petche opens up about playing Sweetpea in Industry — a TikTok-viral character with frenetic energy — and how distant that role is from her real self. She’s calm, intentional. Talks about navigating social media boundaries, wanting to take her Kindle and just unplug for a while. She jokes her Spotify Wrapped said she listened to “77” tracks, which sounds like a glitch but mostly reads as: she’s not performative. At all.
Jewelry is pared-back elegance: gold-and-diamond earrings and a matching ring by Tiffany & Co. , nothing screaming but still sharp in close crop shots.
This shoot isn’t loud. It’s not grabbing. It’s the kind of styling that lets someone exist inside it rather than be consumed by it.
