Emilia Clarke wore a charcoal crew-neck sweater and pinstripe slit pencil skirt while visiting SiriusXM Studios in January 2026.
She arrives grinning, hands tucked into pockets like it is the most casual thing in Manhattan. On 14 January 2026, Emilia Clarke visits the SiriusXM studios in Midtown wearing a charcoal knit that drapes just loose enough over a high-waisted, front-slit pinstripe pencil skirt. The knit reads Sunday comfort; the skirt insists on business hours. Black peep-toe pumps finish the line. One quick nod to the universe of celebrity street style and we move along.
April Banbury wore a ruched off-shoulder burgundy gown with a daring keyhole cut-out at Cirque du Soleil OVO premiere 2026.
April Banbury steps onto the magenta carpet at the Cirque du Soleil “OVO” VIP premiere in London’s Royal Albert Hall, 14 January 2026. Her look is pure dusk-hour drama: an off-the-shoulder, deep-plum gown, ruched from collarbone to hem, the fabric gathered into a central knot then released in soft folds to the floor. A metal ring bridges a bold keyhole at the bust, flirting with the idea of armour. Gold and diamond cuffs glint at opposing wrists, but otherwise she lets the dress talk–a welcome pause in an evening packed with neon feathers and acrobatic body paint. First and only nod here to the ever-chronicled celebrity red carpet circuit, then back to the clothes.
Emilia Clarke wore a cropped wool sweater with oversized fur collar and pinstripe pencil skirt to her TODAY show appearance in 2026.
Emilia Clarke strides across Rockefeller Plaza on 14 January 2026, on her way into the TODAY studio, turning a brisk sidewalk commute into textbook street style –the single nod we’ll allow, anchored here: celebrity street style . She layers a charcoal cropped sweater under a huge tawny-lavender fur collar that swallows her shoulders like a friendly wolf. Below, a high-waisted pinstripe pencil skirt hugs the hips, slit front and center for just enough swing. Black peep-toe pumps click against the concrete. Rectangular sunglasses, wind-tossed hair, a mini shoulder bag tucked under one arm; that’s the whole kit.
Office codes are wobbling. After years of hoodies and sneakers, tailoring is inching back–but with mischief. Clarke’s pinstripes preach meetings, her cropped knit and furry halo shout après-ski bar. The clash feels deliberate, a reminder that morning television still loves a little drama at 8 a.m.
Proportions land well: cropped top + sky-high waist = legs for blocks. The collar, though, hovers on the edge of costume; one gust and she’s swallowed. Pumps keep the look grounded, yet a closed-toe mule would have nodded to winter without flashing pedicure. By jamming boardroom pinstripes against plush wilderness, Clarke argues that work and play can share the same crosswalk without apologizing.
Does the massive collar elevate grey wool into statement territory, or drown the outfit in unnecessary fluff?
