Emilia Clarke wore a cropped wool sweater with oversized fur collar and pinstripe pencil skirt to her TODAY show appearance in 2026.
Emilia Clarke strides across Rockefeller Plaza on 14 January 2026, on her way into the TODAY studio, turning a brisk sidewalk commute into textbook street style –the single nod we’ll allow, anchored here: celebrity street style . She layers a charcoal cropped sweater under a huge tawny-lavender fur collar that swallows her shoulders like a friendly wolf. Below, a high-waisted pinstripe pencil skirt hugs the hips, slit front and center for just enough swing. Black peep-toe pumps click against the concrete. Rectangular sunglasses, wind-tossed hair, a mini shoulder bag tucked under one arm; that’s the whole kit.
Office codes are wobbling. After years of hoodies and sneakers, tailoring is inching back–but with mischief. Clarke’s pinstripes preach meetings, her cropped knit and furry halo shout après-ski bar. The clash feels deliberate, a reminder that morning television still loves a little drama at 8 a.m.
Proportions land well: cropped top + sky-high waist = legs for blocks. The collar, though, hovers on the edge of costume; one gust and she’s swallowed. Pumps keep the look grounded, yet a closed-toe mule would have nodded to winter without flashing pedicure. By jamming boardroom pinstripes against plush wilderness, Clarke argues that work and play can share the same crosswalk without apologizing.
Does the massive collar elevate grey wool into statement territory, or drown the outfit in unnecessary fluff?
Emilia Clarke wore a charcoal crew-neck sweater and pinstripe slit pencil skirt while visiting SiriusXM Studios in January 2026.
She arrives grinning, hands tucked into pockets like it is the most casual thing in Manhattan. On 14 January 2026, Emilia Clarke visits the SiriusXM studios in Midtown wearing a charcoal knit that drapes just loose enough over a high-waisted, front-slit pinstripe pencil skirt. The knit reads Sunday comfort; the skirt insists on business hours. Black peep-toe pumps finish the line. One quick nod to the universe of celebrity street style and we move along.
Hannah Dodd wore a black Giambattista Valli cropped top and sculptural midi skirt at the Bridgerton Season 4 Paris premiere in 2026.
Hannah Dodd glides up the lilac-carpeted stairs at the world premiere of Bridgerton Season 4 in Paris on 14 January 2026, wrapped in Giambattista Valli Spring 2026 black-on-black texture. The look splits into two parts– a ruched, long-sleeve crop shirt with a prim collar and a ballooning midi skirt that floats just above the ankle . A flash of bare midriff slices the silhouette in half, turning what could have been period drama cosplay into something sharper. Point-toed pumps match the ink-dark fabric; a single ear cuff hooks behind loose, Versailles-worthy waves. Cameras click, eager to file another trophy shot for the celebrity red carpet archive.
Fashion right now keeps flirting with 18th-century romance–Bridgerton’s fault, mostly–but Dodd’s version feels refreshed. No corset, no florals, just puckered fabric, architectural volume, and a quiet dare: imagine Marie Antoinette with a Pilates membership. Awards-season maximalism pauses; restraint, suddenly, is drama.
Does flashing skin beneath courtly fabric modernize period mood boards, or does it simply trade mystery for midriff?
