Emilia Clarke appears in the January 2026 issue of The New York Times, photographed in two contrasting outfits that highlight color, texture, and editorial restraint.
January 2026. Emilia Clarke seated on the floor, backdrop plain, sweater bright pink, turtleneck high. Loose black pants, shoes dark, posture casual. Hands clasped, arms resting on knees. The pink against the neutral background feels almost too loud, but it works. A clash softened by her calm expression.
Another frame, softer again. Clarke lying on the floor, outfit white, textured fabric, pleated skirt. Long sleeves, one marked with black and yellow detail. Pose deliberate, hand near the neck, gaze direct. The composition minimal, clean, almost serene. The outfit structured but light, fabric folding gently.
Her styling here: opposites. One outfit leaning into bold color, almost playful. The other leaning into quiet restraint, fabric and pose subdued. Together they form a fashion spread stitched from fragments. A celebrity photoshoot that resists glamour excess, leaning instead into texture, tone, and mood.
Clarke’s editorial wasn’t about spectacle. It was about fragments — pink sweater loud, pleated skirt soft, gaze steady. A styled shoot reframed into something tougher, more authentic.
Elle Fanning appears in the January 2026 issue of Who What Wear, photographed in several distinct outfits that highlight whimsy, structure, and editorial edge.
January 2026. Elle Fanning smiling against a blue backdrop, oversized black bow perched on her head, off-the-shoulder top simple, playful. In her arms, a fluffy white cat-like figure, surreal, almost toy-like. The cover feels whimsical, light, a mix of fashion and fantasy.
Another frame, mood shifted. Oversized brown trench coat cinched at the waist, sleeves voluminous, collar wide. Gold hoop earrings catching light. The silhouette dramatic, heavy, almost sculptural. The blue background plain, letting the coat dominate.
Third look, more theatrical. Seated on a stool, long tailored blue coat with puffed sleeves, fur collar thick. Cream heels visible, headpiece striped fabric twisted into rabbit-ear loops. Pose upright, stylized, almost absurd but striking.
Fourth outfit, darker tone. A floral-patterned dress, puffed sleeves, high neckline. She holds a giant fork topped with painted flame. Wooden floor beneath, surreal prop clashing with elegance. The image feels symbolic, protest-like, yet still fashion.
Final frame, surreal again. White coat, barefoot, standing before a cartoonish house with red roof and eye-shaped windows. A cat peers from a shuttered window. She grips another oversized fork. The scene blends editorial with dreamscape, fashion stitched into fantasy.
Her styling here: deliberate opposites. Whimsy and surrealism, then structure and grit. Together they form a fashion spread stitched from fragments. A celebrity photoshoot that resists glamour excess, leaning instead into play, texture, and mood.
The critic’s note: Fanning’s editorial wasn’t about spectacle. It was about fragments — bow oversized, coat heavy, fork absurd, cat staring. A styled shoot reframed into something tougher, more authentic.
Lili Reinhart appears in the January 2026 issue of V Magazine, photographed in two distinct outfits that highlight texture, mood, and editorial edge.
January 2026. Lili Reinhart standing on a small platform, metallic military-style coat heavy, fur trim at collar and cuffs. Gold knee-high boots catching light, backdrop layered with beige fabric. The pose upright, theatrical, almost rigid. Shadows fall across folds of cloth, rustic yet deliberate.
Another frame, softer. Seated on a stool, muted backdrop again, fabric draped in beige and brown. A sleeveless top with floral embellishments, sheer skirt dotted with polka patterns. High-heeled sandals delicate, posture relaxed. The atmosphere moody, lighting warm, shadows gentle. A quieter rhythm compared to the first.
Her styling here: opposites. One outfit leaning into armor, metallic sheen, boots bold. The other leaning into fragility, sheer fabric, floral detail. Together they form a fashion spread stitched from fragments. A celebrity photoshoot that resists glamour excess, leaning instead into texture, tone, and mood.
Reinhart’s editorial wasn’t about spectacle. It was about fragments — fur trim, gold boots, floral top, polka dots scattered. A styled shoot reframed into something tougher, more authentic.
