Emilia Jones embraces biker chic with a high-fashion edge at the Toronto International Film Festival, proving rebel style can be both polished and playful.
Emilia Jones brought a refreshing, leather-clad energy to the Deadline Studio at TIFF, moving away from typical premiere gowns and opting for a look that was both fierce and effortlessly cool. This wasn’t just another outfit—it was a statement. The actress, known for her compelling on-screen presence, showcased a confident persona through her choice of dress, blending a tough-girl aesthetic with sophisticated tailoring.
The centerpiece of her look was a striking Alexander McQueen Belt Detail Leather Jacket in Black . The jacket’s intricate buckle and strap details added a modern, almost industrial feel, perfectly contrasting with the classic silhouette. Paired with a simple white tank and a Wool Gabardine Pencil Skirt , also from Alexander McQueen, the ensemble created a sharp, defined silhouette. It’s a look that feels both timeless and very much in the now, a testament to her evolving celebrity style. The minimal black and white palette kept the focus squarely on the textures and forms—the buttery leather of the jacket versus the clean lines of the wool skirt.
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Samara Weaving channels chic 90s minimalism with a modern twist, pairing a playful polka dot mini-dress with sheer tights and a polished attitude.
At the Toronto International Film Festival, Samara Weaving proved that sometimes, less is more—and that a small dress can make a huge impact. She stepped out for a Carolina Caroline event in a look that felt both nostalgic and perfectly contemporary, hitting a sweet spot between playful and elegant.
The foundation of her look was a Frankies Bikinis x Khy Kenley Satin Mini Dress in a black-and-white polka dot print. The dress’s slip-like silhouette, with its delicate spaghetti straps and silky texture, was a direct nod to the minimalist fashion of the 1990s. But it was the styling that made the outfit feel so fresh and directional. She layered the mini-dress with a long, oversized black blazer draped casually over her shoulders, instantly adding a layer of sophistication and structure. The addition of sheer black tights gave the ensemble a polished, high-fashion feel, while the pop of color from her glossy red pointed-toe heels provided an unexpected and charming surprise.
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Emilia Jones fused industrial edge with editorial polish—her McQueen leather and pencil skirt pairing at TIFF’s Deadline Studio was a quiet rebellion in black.
At the Deadline Portrait Studio during the Toronto International Film Festival 2025, Emilia Jones stepped into the spotlight with a look that whispered power rather than shouted it. Promoting her latest role in Charlie Harper , Jones chose an ensemble that felt like a sartorial thesis on modern restraint—structured, monochrome, and unmistakably McQueen.
Jones wore the Alexander McQueen Belt Detail Leather Jacket in black—a piece that balances armor and elegance with its silver buckles, tailored fit, and sculptural silhouette. The jacket’s matte finish and hardware accents give it a utilitarian edge, while the cut remains sharply feminine. Paired with the brand’s Wool Gabardine Pencil Skirt, the look becomes a study in proportion: the jacket’s assertiveness softened by the skirt’s classic line and fluid drape. Together, they form a silhouette that’s both editorial and wearable—boardroom meets backstage.
No visible jewelry, no statement bag—just the jacket, the skirt, and the mood. The absence of accessories is deliberate, allowing the textures and tailoring to take center stage. The silver buckles serve as both ornament and punctuation, catching light and adding rhythm to the ensemble. It’s a styling choice that aligns with the current wave of pared-back celebrity fashion , where minimalism is no longer about absence, but precision.
