Emilia Jones wore a Dolce & Gabbana A-Line Bib Dress with Swarovski Stones Embroidery at the W Magazine Best Performances Party 2026.
At W Magazine’s Annual Best Performances Party in Los Angeles, Emilia Jones stepped into view wearing the Dolce & Gabbana A-Line Bib Dress with Swarovski Stones Embroidery . The cut–sharp yet curved in its outline–sits somewhere between prim and ironic. Without the image, one imagines light catching thousands of tiny crystals, a quiet shimmer rather than a loud announcement. It feels deliberate, almost studious in restraint.
What that choice says: a young actor aware of heritage. Dolce & Gabbana’s bib dress is a nod to classic Catholic tailoring–modesty embroidered into excess. That tension, faith and glamour stitched together, still defines the house. Jones letting that duality speak at an “awards-season” gathering reads as thoughtful: the humility costume, worn knowingly.
In the current mood of half-ironic coquettish dressing, this piece fits right in. Everywhere, a return to structure over ease. Sequins swapped for crystal logic. Minimal spectacle; maximum intention. She doesn’t chase attention–she curates distance. The effect is cleaner, maybe a touch severe, but memorable because it resists the usual party dazzle.
The look suggests a shifting appetite in young Hollywood for control rather than chaos–precision where former generations preferred improvisation.
That’s perhaps why this ensemble lands with weight: quiet armor under bright lights, impeccable and unsmiling. Then she turns, and the embroidery does all the talking.
Alison Brie wore a red off-shoulder crochet dress with a floral handbag at NEON’s Golden Globes Afterparty in Los Angeles 2026.
Inside NEON’s low-lit afterparty for the Golden Globes, Alison Brie stands out not by noise but by color. The red on her feels vivid and unbothered–an off-shoulder crochet dress that hugs without shouting. There’s warmth in it, maybe because the knit texture softens the edges usually sharpened by eveningwear. It’s an easy kind of confidence, almost domestic but still deliberate.
The bag she carries is small, metallic gold with embroidered red blooms, playful in a literal way, a wink at her dress’s hue. Hair loose, long, slightly tousled–fringe brushing her eyes. No visible jewelry beyond subtle shine; maybe she didn’t need it. The man beside her (unnamed here) in a clean black suit and tee–his simplicity seems chosen to let her brightness anchor the pair.
Dakota and Elle Fanning wore contrasting black and ivory dresses at W Magazine’s Annual Best Performances Party in Los Angeles on January 10, 2026.
Elle Fanning and Dakota Fanning at W Magazine’s Annual Best Performances Party, Chateau Marmont, Los Angeles, January 10, 2026. The sisters stand close, both in pale light, almost blending into the wall of oversized portraits behind them. Elle in a black Gucci Pre-Fall 2026 dress–short, halter neck, textured, with a flared skirt. Black tights, Larroude Linda Pumps, and a Gucci Custom Bag in hand. Red lipstick, hair down, parted in the middle. She looks like she’s ready for a night out, but not fussing over it.
Dakota in a Rodarte Cream Silk Charmeuse Bias Dress with Lace Inlays–long, soft, and a little rumpled, like she just rolled out of bed and decided to show up anyway. Manolo Blahnik Callasli Sandals peek out from under the hem. No necklace, just a few beaded bracelets, hair loose, makeup minimal. She looks comfortable, almost dreamy, like she’s wandered into the party by accident.
The whole scene feels casual, not staged. No one’s trying too hard. The pink carpet, the flash of the camera, the wall of faces–everything is a little off-kilter, a little lived-in. For those who track event appearance , it’s a reminder that sometimes the best fashion moment is the one that doesn’t look like it’s trying to be one.
They could be anywhere–at a sleepover, a gallery, or just out for a late-night snack. Tonight, they’re here, and the contrast between black and cream says more than any headline.
