Stepping out in Chelsea, Emilia Jones redefined power dressing, embracing a daring silhouette that marries classic pinstripes with modern sensuality—a true masterclass in contemporary celebrity style.
Emilia Jones turned heads as she strolled around Chelsea, New York City on Tuesday, September 2, 2025. The British actress, 23, looked nothing short of sensational in a plunging black pinstripe blazer dress, which showcased her long, toned pins with undeniable flair.
Sabrina Carpenter’s viral “Man’s Best Friend” campaign (and frankly, a surprise drop) takes a new turn in a series of promotional shots that are part futuristic, part playful Americana.
Sabrina Carpenter’s latest project is a collaboration with Waymo and Spotify, and the imagery is a masterclass in blending high-tech with high-fashion. The campaign images, shot at night, feature the star with a self-driving Waymo vehicle, transforming a typical promotional shoot into something akin to a Blade Runner-esque fashion moment. The result is a perfect fusion of technological advancement and personal style.
Carpenter wears a red and white checkered two-piece set that instantly evokes a nostalgic, picnic-ready aesthetic. The bralette-style top features delicate spaghetti straps and a subtle scoop neckline, while the matching high-waisted shorts have a playful, brief-like silhouette. This gingham pattern, often associated with a sweeter, more innocent style, is given a sharp, contemporary edge through the styling. The look is a bold subversion of expectations—it’s Marie Antoinette if she were a cyber-punk pop princess.
The real showstopper is the footwear. Carpenter pairs the outfit with towering white stiletto heels that feature a matching red and white gingham bow detail at the ankle, tying the entire look together with a whimsical, yet sophisticated, bow. This intentional choice bridges the gap between the casual, almost retro, nature of the outfit and the sleek, futuristic backdrop of the self-driving car. Her hair, styled in a messy, voluminous half-ponytail, adds to the sense of effortless cool, as if she just stepped out of the car. Her makeup is fresh and dewy, focusing on a clean base and a soft smoky eye that keeps the attention on the playful outfit. The overall mood is confident and a little bit mischievous.
Audrina Patridge dialed up the dopamine—her lemon-drop mini and metallic clutch felt like a wink to Y2K excess, minus the chaos (well, almost).
There’s something deliciously defiant about showing up to a red carpet in a color that practically screams. At Teatro’s Maxim Hot 100 Party in Los Angeles, Audrina Patridge did just that—opting for a strapless yellow mini that didn’t whisper “look at me,” it shouted it across the boulevard.
The dress, a high-saturation yellow with a satin-like sheen, hugged Patridge’s frame with a sculpted bodice and a hemline that flirted with retro clubwear. The silhouette was pure early-aughts revival—short, sharp, and unapologetically body-conscious. While the designer remains unconfirmed at press time, the construction suggests a boutique LA atelier rather than a mass-market label. It’s the kind of piece that lives for flash photography and late-night glamour.
She paired the look with strappy high-heeled sandals—barely-there, metallic, and designed to elongate rather than distract. A chrome clutch added a futuristic edge, catching light like a disco ball in motion. Jewelry was minimal, if present at all, letting the dress and accessories do the heavy lifting. The synergy here? Think Blade Runner meets Laguna Beach.
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