Emilia Jones channels a quiet rebellion—leather, gabardine, and a gaze that doesn’t flinch—at the Toronto Film Festival’s Hollywood Reporter portrait studio.
There’s a kind of sartorial clarity that arrives when a look refuses to beg for attention. Emilia Jones, photographed at the Hollywood Reporter portrait studio during TIFF 2025 for her upcoming role in Charlie Harper , delivers just that: a study in restraint, precision, and quiet command.
The outfit unfolds like a mood board for modern noir. Jones wears an Alexander McQueen Belt Detail Leather Jacket in black—structured, cinched, and unapologetically sharp. The jacket’s matte finish and sculptural tailoring echo McQueen’s legacy of armor-as-elegance, while the belt detail adds a utilitarian edge that feels more Berlin than Beverly Hills. Beneath it, the Wool Gabardine Pencil Skirt (also McQueen) anchors the silhouette with a clean, architectural line—no frills, no fuss, just form.
Her co-star, casually draped in a multicolored argyle sweater and denim, offers a visual foil: collegiate softness against Jones’s editorial severity. But it’s Emilia’s pose—shoulders squared, gaze direct, arm gently looped—that sets the tone. There’s intimacy, yes, but also a kind of cinematic detachment. Think Rooney Mara in Carol , but with a Gen Z pulse.
Elle Fanning trades red carpet theatrics for studio serenity—Chanel, Cartier, and a metallic Louboutin whispering quiet luxury at the Toronto Film Festival.
In a moment that felt more editorial than promotional, Elle Fanning appeared at The Hollywood Reporter’s portrait studio during the 2025 Toronto International Film Festival for Sentimental Value —and the fashion was anything but sentimental.
Fanning’s look was a masterclass in tonal layering and textural finesse. She wore a piece from Chanel Resort 2026, a collection already praised for its nostalgic futurism and soft rebellion. The silhouette was tailored yet fluid, with a muted palette that let the fabric speak: think silk crepe with a whisper of sheen, cut to skim rather than cling. It’s Chanel doing restraint, and Fanning wearing it with the kind of ease that only comes from years of red carpet fluency.
Her footwear added a flicker of drama— Christian Louboutin’s Miss Z Metallic Leather Pumps , which caught the studio lights like a flashbulb in motion. The silver tone didn’t scream; it shimmered. Paired with a Cartier 18 Karat White Gold Five Row Diamond Eternity Ring, the accessories leaned into quiet opulence. No bag, no earrings, no overstatement—just precision.
Never one to play it safe, Shailene Woodley stepped onto the red carpet at the “Christy” premiere during the Toronto International Film Festival in a bold, military-inspired ensemble.
Shailene Woodley’s look was all about sharp angles and rich texture. For the premiere, Woodley chose a striking cape-like coat from Max Mara , a piece that subverted traditional outerwear with its cropped, dramatic silhouette. The deep, olive-green wool of the Verna Camel Coat with Belt felt both luxurious and rugged. It was worn over what appeared to be a matching mini-dress, cinched at the waist with a thick tie belt. The overall effect was powerful yet playful, a perfect example of how a single garment can create an entire mood.
The Max Mara Mary Janes in leather grounded the look, their blocky heels and thick straps offering a utilitarian contrast to the flow of the cape. Woodley’s decision to pair the ensemble with sheer black tights added a classic, almost nostalgic touch, balancing the outfit’s more modern elements. She carried a sleek black bag, though its brand was not immediately visible. Minimalist jewelry, including several silver rings, completed the look, keeping the focus squarely on the bold silhouette.
