Emilia Jones wore a black leather jacket and wide-leg trousers to an event at the Chateau Marmont on February 5, 2026, in Los Angeles.
There’s something quietly commanding about showing up in leather at night — especially at Chateau Marmont. Emilia Jones nailed that after-hours LA energy without going full costume.
She wore a structured black leather jacket — cropped just at the waist, zip-up front, puffed at the shoulders, but not too exaggerated. The collar had subtle embellishments, maybe studs or gems — hard to tell in the lighting, but enough to catch the flash. The whole thing looked lived-in but luxe. No shine overload, no runway awkwardness.
Paired with it? High-waisted black trousers. Clean lines, wide leg, nice drape. No competing details, no trendy distractions. Just pants that let the jacket take the lead.
She kept accessories tight. A small black shoulder bag hanging close to her body, bold red nails , one clean bracelet and a minimalist ring. Plus that half-tucked smile — the kind that says “I know I look good, but I’m not staying long.”
Here’s why it works: nothing screams. The textures do the work — matte wool , soft-worn leather , pointed black heels slicing through the shadow. You feel the outfit before you fully see it. That’s smart.
Not everything has to be clever though. Sometimes it’s just midnight cool — and this was that.
Rachel Pizzolato wore a red printed midi dress and tall black boots for Valentine’s Day content at Passes in Los Angeles, February 2026.
You could call it playful, but honestly? It’s sharp. Rachel Pizzolato showed up for a Valentine’s Day content shoot at Passes in Los Angeles on February 5 wearing something that said Cupid, but with edge.
She wore a fitted red midi dress , heart-patterned and curve-hugging, with spaghetti straps and a sweetheart neckline. There’s flirtation there — but then comes the thick black waist belt , big silver buckle dead center, slicing through the sweetness. That belt changes everything.
Then she doubled down with the knee-high black leather boots — pointed toe, strong heel, sleek shape. Less pin-up, more power. They put weight in the outfit. Literally and visually. They ground it.
The backdrop was all satin and roses — soft, glossy, very on-theme — but she cuts through it like someone who didn’t come to play dress-up. Long hair down, soft waves, no overkill. The glam is polished without being stiff. There’s wing props behind her — yes — but thankfully, the look doesn’t collapse into silliness.
Here’s why this works: it’s got structure. The belt stops the dress from sliding into cliché. The boots take it out of novelty. And Rachel? She’s carrying it with a calm that says: I know it’s themed — and I still look good.
Kaia Gerber wore a trench coat, cropped top, and navy trousers at the Sombr release party at Chateau Marmont on February 5, 2026.
This is late-night layering done the Kaia way — a little messy, a little buttoned-up, and exactly right for walking out of Chateau Marmont. Kaia Gerber was seen leaving Sombr’s release party in Los Angeles on February 5, 2026 , wearing a look that hit dead center between downtown cool and I‑had-no-time chic.
The first thing you see is the long khaki trench coat — slightly rumpled, oversized just enough, worn open with sleeves pushed up like she’s not here to pose. Underneath? A barely-there black cropped top with visible threadbare edging , styled fully unbuttoned except for one lonely clasp in the middle. Totally intentional. Totally casual. Totally exposed, but not loud.
Then we land on the pants — confirmed from [[VAR_CONTENT]] — the Paloma Wool Navy Tropez Trousers . Straight cut, low-rise, no wild flare or pleat theatrics. Just a pair that doesn’t fight the rest of the outfit. Anchoring it all are the Repetto Camille Rubber Sole Ballet Flats , black and unflashy, the kind that whisper instead of announce.
The Paloma Wool Philana Bag slung over one shoulder finishes the look — large, worn-in textured gray , half-tucked under her arm like an afterthought. But it’s not. That bag knows its job.
Here’s the thing: this look isn’t polished. It’s not supposed to be. It’s off-balance in a way that makes you stare twice. I like that. It breathes.
