Emilia Jones wore a houndstooth midi coat, Thom Browne leather pumps and carried a Mulberry Roxanne Small crossbody outside NBC Studios on December 8, 2025.
Emilia Jones stepped out of NBC Studios in New York City on December 8, 2025, deploying a talk-show outfit that reads like a syllabus for preppy subversion: a double-breasted houndstooth midi coat whose prim charcoal-and-ivory geometry is sliced open at the hem to reveal a flash of plaid lining—an inside joke for sidewalk classicists. Her Mulberry Roxanne Small crossbody rides high on the shoulder, its postbox-red leather interrupting the monochrome like a pop-art exclamation mark, while Thom Browne leather pumps extend the leg line with their tell-tale white heel stripe, turning corporate uniformity into a quiet signature. Hair is center-parted and tucked behind ears, exposing a single Cartier Love bracelet that clicks against the microphone like a metronome during interviews; makeup stays studio-light: matte skin, rosebud mouth, a whisper of taupe that refuses to compete with the graphic coat.
Kate Winslet wore a tobacco silk blouse and tailored trousers for her December 2025 Grazia UK cover, shot before her directorial debut Goodbye June.
Kate Winslet fronts the December 2025 issue of Grazia UK , lensed in a look that quietly mirrors her own behind-the-camera pivot: a tobacco-brown silk blouse whose fluid drape softens the interrogation flash of studio strobes, tucked into high-waisted charcoal trousers that refuse to pander to red-carpet spectacle. The palette—earth, ash, nocturne—reads like a storyboard for Goodbye June , the family drama she directs and which streams on Netflix from 24 December. Hair is swept into an unfussy mid-height knot, exposing the kind of neckline that once carried Titanic diamonds but now frames a woman who has swapped ornament for authorship; makeup stays candle-lit, a whisper of rust on lids and a matte nude lip that won’t compete with the narrative she’s finally controlling.Inside the magazine she admits that stepping behind the camera invited industry whispers of “vanity project,” yet the outfit’s restraint signals the opposite—an auteur who would rather let the work speak.
Excerpt: Ella Purnell wore Erdem Spring 2026 and Alevi Milano Lola black satin pumps at the Fallout Season 2 premiere in Los Angeles on December 8, 2025.
Ella Purnell stepped onto the Fallout Season 2 premiere carpet in Los Angeles on December 8, 2025, wearing a look that feels mined straight from the game’s irradiated luxury bunkers: an Erdem Spring 2026 floral-jacquard coat-dress whose charcoal ground and acid-bright blooms echo the franchise’s palette of rusted metal and toxic sunsets. The silhouette—nipped waist, pronounced shoulders, midi hem—channels 1947 Dior’s “New Look,” but the print’s glitchy saturation drags it into post-apocalyptic couture. On her feet, Alevi Milano Lola black satin pumps add a low, lethal shine; their d’Orsay cutouts mirror the vault suit’s strategic ventilation panels, while the four-centimeter heel suggests a woman ready to sprint from rad-storms without sacrificing boardroom authority. Hair is swept into a glossy, side-parted roll that keeps the collarbone free for imagined Geiger-counter charms; makeup stays matte and mushroom-toned, a deliberate fade into fallout-grey light.
