Actress Emilia Jones takes on the Venice Film Festival red carpet with a hauntingly beautiful, gothic-inspired look for the Armani/Archivio presentation.
The Venice Film Festival is a canvas for cinematic glamour, and Emilia Jones’s recent appearance was a masterclass in mood and texture. Her ensemble, a daring black dress, felt less like a traditional gown and more like a work of art—a fusion of fragility and fierce elegance.
The dress itself is a gothic dream. It features a daring midriff cutout and a bandeau-style top that connects to a full, tiered skirt. The fabric is a delicate black tulle, sheer and ethereal, which reveals glimpses of her figure beneath. What truly elevates the dress is the intricate, all-over floral embroidery and appliqué , which gives it a rich, textural quality. These details—almost like dark vines creeping across a web of shadow—lend the look a sophisticated, almost fantastical feel.
Jones opted for minimal accessories to let the dress command full attention. She wore a dainty silver necklace with a small pendant and what appears to be a bracelet. Her shoes—black, pointy-toed Giorgio Armani Patent Leather Slingbacks —peep out from beneath the long skirt, offering a clean, sharp finish to the fluid silhouette. A matching Cartier Love Bracelet on her left wrist adds a touch of subtle luxury.
Jones’s look at the Armani/Archivio presentation is a refreshing departure from the conventional red carpet. It’s a bold choice that speaks to her willingness to experiment with style and narrative. She proves that the best looks are those that tell a story, and this one whispers of dark fairy tales and late-night rendezvous. To see more of her and other stars, check out all the latest celebrity photos .
Jayde Rutledge traded red carpet theatrics for poolside precision—her black bikini moment, framed by modern architecture, was a masterclass in quiet luxury.
There’s a certain kind of fashion statement that doesn’t need sequins, spotlights, or a step-and-repeat. Jayde Rutledge, lounging at the edge of a pristine swimming pool, made hers with nothing more than clean lines, architectural calm, and a black bikini that whispered rather than shouted.
Jayde Rutledge’s poolside appearance is a reminder that celebrity photos don’t need drama to be memorable—sometimes, all it takes is a black bikini and a well-designed backdrop.
Rose Villain brought cyber-punk couture to the Lido—her metallic gown, blue mohawk, and gold chain felt like a glam-rock opera staged on the red carpet.
Rose Villain doesn’t walk red carpets—she detonates them. At the La Grazia premiere during the 82nd Venice International Film Festival, Villain arrived in a look that felt more like a manifesto than a mere outfit. It was part sci-fi siren, part glam-rock priestess, and entirely unforgettable.
Her structured off-the-shoulder gown shimmered in a palette of dark and light metallic tones, catching the light like a blade. The fabric—possibly a lamé or foil-treated silk—had a liquid armor quality, rippling with every movement. The silhouette was sculptural, cinched at the waist and flaring subtly at the hem, with long matching gloves that extended the drama. It was a study in contrasts: futuristic yet regal, severe yet seductive.
Villain anchored the look with a chunky gold chain necklace—bold, unapologetic, and slightly anarchic. No earrings, no clutch, no distractions. The necklace was the punctuation mark on an already declarative ensemble. Her pose was deliberate, almost statuesque, with a gaze that dared the cameras to blink first.
Rose Villain’s appearance at Venice proves that red carpet fashion doesn’t have to play nice—it can play loud, play weird, and still win.
