Emily Blunt wore a black Magda Butrym swimsuit with a sheer skirt and embellished blazer at the 2026 National Board of Review Awards Gala.
At the National Board of Review Awards Gala in New York City on January 13, 2026, Emily Blunt presented a look that mixed daring with a touch of restraint. She wore a black Magda Butrym bustier swimsuit as the base, crafted from technical stretch jersey that hugged her form with molded cups and a low back. Over this, an oversized black blazer edged with subtle embellishments added structure and a hint of sparkle. The sheer black skirt beneath teased glimpses of the swimsuit, creating a layered effect that balanced cheekiness with sophistication. Her open-toe heels and diamond jewelry completed the ensemble, while her hair fell in soft waves, lending a polished finish. This outfit fits neatly into the current wave of bold event appearances that blur the line between swimwear and eveningwear. For those tracking celebrity event looks, this moment is a clear example of fashion’s playful boundary-pushing. For more on front row fashion, see the celebrity style archive.
Emily’s choice reflects a broader trend of reimagining traditionally casual or utilitarian garments for formal occasions–a nod to the fluidity of modern style codes. The swimsuit-as-eveningwear concept challenges expectations, signaling confidence and a willingness to disrupt the usual red carpet formulas. In the context of a gala honoring cinematic achievements, this look feels like a statement about transformation and reinvention, themes that resonate with the awards season’s celebration of artistry and risk-taking. The reunion with Benicio del Toro adds a layer of nostalgic warmth to the evening, contrasting with the outfit’s forward-looking edge.
Jennifer Lawrence rode an e-bike in a leopard Jacquemus faux-fur jacket, flared jeans and black ankle boots through New York.
She zips past SoHo brickwork on an e-bike, blonde hair whipping, grin half-hidden behind square Garrett Leight shades. On her back: the plush chaos of a Jacquemus Le Fernando faux-fur bomber, all tawny leopard spots and cozy volume. Underneath, a sliver of camel knit teases at the collar. La Ligne Isadora jeans–high-rise, wide in the leg–flirt with the bike’s pedals, showing flashes of The Row’s Billie leather ankle boots. A matte black helmet dangles on the rear rack like an afterthought. One candid shot and the ride turns into instant celebrity street style currency–proof that outerwear can double as personality.
This is winter 2026’s mood board: dopamine faux-fur over pragmatic denim, athleisure not from a gym but a two-wheeler commute. Lawrence leans into comfort but refuses invisibility; the coat roars while the rest whispers utility. Sharp insight: when a star pairs runway fluff with actual motion–pedals, wind, traffic–the garment stops performing and starts living.
Critique, quick and fair. The jean hem kisses the bike chain a little too closely; one grease mark could dampen the luxe narrative. A tidy cuff or sneaker swap might have spared the dry-clean bill. Still, the overall picture works because it’s moving, not posing. Luxury on wheels–Lawrence turns a mundane errand into a rolling mood piece.
Would you trade the heavy faux fur for a lighter puffer to increase speed, or is the drama worth the drag?
Emilia Clarke wore a sweeping camel trench, square-toe pumps and low-key sunglasses while navigating SoHo sidewalks on January 14 2026.
SoHo’s morning chill meets movie-star discipline: Emilia Clarke, head down, hands sunk in pockets, wrapped in a lustrous camel trench that lands just above the curb. The coat–double-breasted, broad-lapeled, almost liquid under streetlights–hides everything but a glimpse of black knit at the neckline. Dark micro-shades guard her gaze; espresso-brown, squared-toe heels slice out beneath the hem with each step. One quick shot and the look drops neatly into the ever-buzzing archive of celebrity street style moments worth screenshotting. This is 2026 minimalism: no logos, no fuss, just expanses of premium fabric doing quiet flex work. Clarke’s trench nods to 70s power dressing yet softens it with satin sheen–old silhouette, new attitude. The slicked-back, center-part hair and bare, luminous skin push the narrative further: polished armor for an ordinary errand run.
The silhouette sings–long vertical, zero interruption–letting the shoes provide the only punctuation. A tiny quibble: the coat’s slight pooling at the back hem risks scuff marks and steals a touch of that streamlined authority. A half-inch lift in the heel or a marginally shorter length could keep the drama while sparing the fabric. When craftsmanship walks this quietly, the city noise turns into background music.
Would you leave the trench fully closed for cinematic mystery, or shrug it open to flash the outfit underneath?
