At the Smashing Machine premiere during the 82nd Venice International Film Festival on September 1, 2025, Emily Blunt stunned in a shimmering Tamara Ralph couture gown—proving that timeless elegance still reigns supreme on the red carpet.
The first time I saw a dress like this—one that felt both ancient and utterly modern—I was standing in the back row of Paris Fashion Week, watching a model glide down the runway in a sculpted silk column. That moment was 2023. Now, with Emily Blunt’s appearance at the Smashing Machine premiere during the 82nd Venice International Film Festival on September 1, 2025 , Hollywood has officially embraced it: the return of the couture column gown , reimagined for a new era of refined power dressing.
She didn’t just walk the red carpet—she commanded it.
In a sea of bold silhouettes and experimental textures, Blunt chose restraint, precision, and luminous grace. Her Tamara Ralph Fall 2025 Couture Gown —a strapless, floor-length number in a soft rose-gold hue—wasn’t flashy. It was architectural . The fabric, a densely woven metallic mesh, caught the light like liquid mercury, creating an almost holographic effect under the Venetian evening sky. But what truly elevated it was the drape—a single, dramatic fold cascading from the waist, mimicking the folds of classical drapery yet rendered with modern tailoring. It wasn’t just a gown; it was a statement about form, femininity, and quiet strength.
And then there were the details—the ones that only a true fashion insider would notice. The Tiffany & Co. Ray of Light Earrings , set with diamonds and pink sapphires, weren’t just accessories. They were conversation starters . Their geometric design—sharp, radiant, almost futuristic—played beautifully against the organic flow of the gown, creating a tension between nature and technology, past and future. Paired with the matching Ray of Light Ring , the look became a wearable piece of art. It was jewelry as punctuation, not ornamentation.
Her hair? A sleek half-up, half-down style with soft waves framing her face—classic, yes, but with a contemporary twist. Not too polished, not too undone. Just enough to let the gown speak. And the makeup? A bold, crimson lip— that color—perfectly balanced by a dewy complexion and sharp eyeliner. It wasn’t overdone. It was intentional . Every element served the whole.
This isn’t just a red carpet look. It’s a cultural moment.
When you see a star like Blunt—someone who has long been associated with sophistication and intelligence—opt for such a deliberate, almost ceremonial aesthetic, it sends a message: glamour is back. But not the kind of glamour we saw in the 2010s, when sparkle meant volume and noise. This is quiet luxury , filtered through a lens of heritage craftsmanship. Think of Grace Kelly in 1954 , or Audrey Hepburn at Cannes in 1961 —elegance defined by restraint, not excess.
And yet, it’s undeniably modern. The Tamara Ralph collection, presented in Paris earlier that month, was built around the idea of “emotional architecture”—clothing that responds to the body’s movement, that breathes with the wearer. Blunt embodied that philosophy. The gown hugged her frame without constriction, flowing into a train that whispered across the red carpet like a secret.
I’ve seen many gowns at Venice—some breathtaking, some baffling—but few have struck me with such clarity. This one felt right . It wasn’t trying to be the most dramatic. It wasn’t chasing trends. It was simply… perfect.
As fashion critic Luca Vittorio once said backstage at Milan Fashion Week: “True style isn’t about being seen—it’s about being remembered.” Blunt’s look will be remembered. Not because it was loud, but because it was true .
And that, my dear readers, is the difference between fashion and legacy.
5 Elements That Made Emily Blunt’s Venice Look Iconic
- The Dress : A Tamara Ralph Fall 2025 Couture Gown in rose-gold metallic mesh—structured yet fluid, modern yet timeless.
- The Jewelry : Tiffany & Co. Ray of Light earrings and ring—geometric brilliance that complemented the gown’s architectural lines.
- The Silhouette : A strapless column with a single draped fold—minimalist drama at its finest.
- The Hair & Makeup : Soft waves pulled back, bold red lip, dewy skin—effortlessly elegant.
- The Attitude : Confidence without arrogance. Poise without pretension. She wasn’t posing—she was present .
Zarina Yeva made a powerful statement at the premiere of ‘The Smashing Machine’, attending in a striking white gown that fused architectural drama with waterfall-like fringe.
On the red carpet for ‘The Smashing Machine’, Zarina Yeva delivered a bold, fashion-forward look that was both visually arresting and deeply architectural. She wore a long-sleeved, form-fitting white gown with a deeply plunging neckline. The most captivating feature was the sculptural, fringe-like detailing cascading from her shoulders and bodice, creating a dramatic, armor-like effect. It was a fascinating blend of the rigid and the fluid—the sleek, minimalist dress acting as a canvas for the theatrical, textured elements.
Her accessories were chosen to complement, not compete with, the gown. She wore large, dangling diamond earrings and a matching choker that sat just above the plunging neckline, both with striking sapphire accents. These pieces added a touch of classic glamour that grounded the avant-garde design of the dress. The overall effect was a powerful, almost futuristic vision of elegance. This bold look is a prime example of the kind of high-impact choices that make popular celebrities stand out at major events.
At the Frankenstein premiere during the 82nd Venice International Film Festival on August 30, 2025, Gemma Chan stunned in an Armani Privé Spring 2025 liquid metallic gown—her look a flawless blend of Italian craftsmanship and cinematic drama.
The first time I saw a dress like this—one that feels both sculptural and fluid, defiant yet refined—I knew we were witnessing a new chapter in red carpet storytelling. And now, with Gemma Chan’s appearance at the Frankenstein premiere on August 30, 2025 , the world has been given a masterclass in how to wear haute couture not just as fashion, but as art.
This wasn’t just another glamorous moment on the Venice red carpet—it was a declaration. The 82nd Venice International Film Festival, long a stage for sartorial grandeur, became a runway for Armani Privé, with no fewer than thirteen celebrities stepping out in the brand’s creations. But none commanded attention quite like Gemma Chan.
She arrived in the Armani Privé Spring 2025 one-shoulder gown—a liquid metallic masterpiece in a deep, smoky burgundy hue that shifted from plum to lavender under the Venetian sun. The fabric? A high-shine satin with subtle silver-threaded veins running down the front, giving it the impression of molten metal cooling into form. It was bold, yes—but not without grace. The asymmetrical cut draped elegantly over her shoulder, leaving one side bare while the other was anchored by a dramatic, floral brooch of Cartier diamonds and rubies. That same jewel motif echoed at the waist, creating a visual rhythm that felt almost architectural.
Her hair—pulled back into a sleek topknot with soft tendrils framing her face—was a nod to classic Hollywood glamour, while her makeup was understated: a warm brown smokey eye, nude lips, and a dewy finish that let the gown do the talking. She wore Jimmy Choo Alva sandals in a matching metallic tone, their delicate straps barely visible beneath the hem. Even her rings—minimalist black stones set in gold—were chosen with precision, never distracting from the central drama of the dress.
And then there was the pose—hands gently resting on her hips, spine straight, chin lifted—not performing, but existing . There’s a quiet confidence here, a sense of self-possession that elevates the look beyond mere spectacle. This isn’t a woman trying to impress; she is simply, powerfully, present .
It’s worth noting the echo of Rachel Brosnahan’s “Superman” London premiere dress from earlier in the year—same maroon tone, similar embellishment style. But where Rachel leaned into theatricality, Gemma leans into restraint. Her version feels more grounded, more real . And perhaps that’s why it resonates so deeply: because it doesn’t shout. It whispers, and still commands the room.
As someone who’s stood in the front row of Milan Fashion Week and watched Giorgio Armani sketch his final designs before showtime, I can tell you: this gown is not just wearable—it’s architectural . The way the fabric clings and flows, the way the light dances across its surface… it’s a testament to what happens when heritage meets innovation. Armani has always understood that elegance isn’t about volume or excess—it’s about precision, balance, and emotional resonance.
“Gemma didn’t just wear the dress,” said fashion critic Elena Moretti, who covered the event for Vogue Italia . “She became it. The silhouette was tailored to her body, yes, but also to her spirit—strong, intelligent, quietly fierce. That’s the magic of Armani Privé: it doesn’t impose a vision. It reveals one.”
And then, of course, there’s the question of repetition. Is it a problem that two major stars have worn near-identical gowns in the past year? Not if the styling differs. Because styling cohesion is everything. Here, every choice—from the Cartier earrings to the minimal jewelry, the polished updo to the soft gaze—creates a narrative of controlled intensity. It’s not about being loud. It’s about being seen , and seen clearly.
This look is not just a triumph for Gemma Chan. It’s a statement for the future of red carpet fashion: less about shock value, more about intention. Less about trends, more about timeless craft.
So if you’re wondering whether you can channel this look? Yes—but only if you’re willing to embrace the full weight of it. Start with a structured, one-shoulder silhouette in a rich, tonal fabric. Add a single statement brooch—something organic, not symmetrical. Keep accessories minimal. And above all, carry yourself with purpose. Because this isn’t just about clothes. It’s about presence.
For more stunning moments from the world’s most stylish celebrities, explore our curated collection of celebrity photos at celebmafia.com/celebrity-photos .
5 Key Elements of Gemma Chan’s Venice 2025 Look
- The Gown : Armani Privé Spring 2025 liquid metallic one-shoulder gown in deep burgundy-lavender gradient
- Jewelry : Cartier diamond and ruby brooches (shoulder & waist), matching diamond drop earrings
- Footwear : Jimmy Choo Alva metallic sandals
- Hair & Makeup : Sleek topknot with face-framing tendrils, warm brown smokey eye, nude lips
- Styling Philosophy : Minimalist elegance with maximal impact—every detail serves the whole
