Emily Feld appears in Cleonie Swim’s 2026 campaign, photographed in multiple looks that highlight texture, color, and a relaxed coastal rhythm.
Emily Feld standing outdoors, red halter dress textured, neckline deep, gold detail at the center. Ocean behind, wicker chair nearby, string lights above. The look feels warm, almost improvised, like summer pressed into fabric.
Another frame: blue one-piece swimsuit, straps thin, neckline low, gold floral embellishment at the chest. She sits in a wicker chair, sunlight cutting across, shadows sharp. The outfit casual, but the detail makes it deliberate.
Third frame: striped one-piece, posed on the bow of a pink boat. Palm trees and huts in the background, water calm. The pose confident, hand on hip, body leaning into the curve of the boat. It feels playful, almost vacation-postcard energy.
Final frame: sleeveless white mini dress, sequined floral patterns blue and green scattered across. Deck overlooking the ocean, foliage to the side, sky clear. The sequins catch light, flashing against the tropical backdrop.
Maggie Lindemann wore a deconstructed black top, leather shorts, and lace-up boots for her Principle Magazine January 2026 photoshoot.
In the Principle Magazine photoshoot, January 2026 , Maggie Lindemann doesn’t pose — she burns through the frame. The backdrop is dripped, storm-lit, like a wet cave or a painted riot. Her body? Still. Her gaze? Unbothered. It’s not softness she’s selling.
Let’s break this down. She wears what could loosely be called a bodysuit, but there’s barely a “suit” to it. What dominates isn’t fabric, it’s shape. A deconstructed black halter bra, deep plunge, open sides — strands of frayed tulle or something like it, wrapped and webbed down her chest and arms like wearable rot. It cuts with purpose, like she’s dressing inside-out. Below, ultra-glossy black micro shorts , almost lacquered, baiting the flash with their shine.
The boots deserve their own headline. Knee-high, fully laced front, open-toe with heel. Black again, but not quiet. Built to cut. They flare slightly at the ankle like armor folding out in defiance. They’re not shoes — they’re punctuation marks. And they’re loud.
Jewelry? All stacked on one wrist — a heavy watch, rings that look like dirty diamonds, maybe thrifted. Her other hand? Bare save for ink. Those little arm tattoos and the one just above her knee anchor the chaos in realism. Hair left long, pin-straight, parted mid like a blade. Dark, glossy, witchy. Her mouth nearly blank, her eyes lined like she almost cried in the bathroom, wiped it off, and walked back out anyway.
Hilary Duff wore a crystal-flecked denim corset jumpsuit and silver jewels while debuting her Small Rooms, Big Nerves tour in London 2026.
House lights drop, and Hilary Duff jogs onstage at London’s O2 Shepherd’s Bush Empire–first live show since 2015, nerves apparently checked at the door. Her performance look flips nostalgia into hardware: a stone-washed denim jumpsuit cut like a corset up top, cargo fantasy below, stitched with glimmering crystal flecks that wink under the violet rigs. Side cut-outs flash skin each time she twists through “What Dreams Are Made Of,” a song the Lizzie McGuire die-hards waited two decades to hear live. Chunky silver hoops, stacked tennis bracelets, and a mic that never leaves her grin round out the kit. Fans record every note, each clip destined for another loop in the endless gallery of celebrity photos .
