Emily Ratajkowski wore a belted black padded coat with faux fur and snow boots to the Moncler Grenoble FW26 show in Aspen, January 2026.
At the height of winter in Aspen, Emily Ratajkowski arrived at the Moncler Grenoble FW26 runway show wearing snow gear that didn’t just whisper warmth — it wrapped itself in it. She wore a black padded puffer coat , belted tightly at the waist, with a full faux fur overlay that spilled over the shoulders and sleeves like it had never heard of minimalism. It was more winter armor than outerwear — voluminous, shapely, unapologetically heavy.
Below, a matching black quilted midi skirt , paneled with vertical strips of the same plush faux fur, echoed the structure without softening the silhouette. The skirt hit mid-calf, trimmed to move—not swing. Her legs, fully covered in matte black tights, carried the look from heavy to grounded.
And then came the snow boots . Thick-soled black mountaineering hybrids, cinched tight with chunky white-and-black cords, built for impact. They weren’t ironic. They were necessary. For once, footwear that didn’t try to win but to survive.
Her hair was worn down but clean, center-parted with blunt control. No jewelry, no bold makeup, no gloss — just flushed skin and black layers designed for below-freezing photo ops. If there’s a term for this, it’s not “glam”—it’s glacier gear, styled like streetwear.
In a show built on insulation and alpine identity, Emily’s look was movement-ready static — padded, strapped, belted, and left to quietly own the cold.
Tyla wore a plunging black cut-out gown with Jacob & Co. jewelry to the 68th GRAMMY Awards Pre-GRAMMY Gala in Beverly Hills in 2026.
At the 68th GRAMMY Awards Pre-GRAMMY Gala & Industry Salute in Beverly Hills on January 31, Tyla made clear that the warm-up to Grammy night could carry just as much heat. The South African star, fresh off a nomination for Best African Music Performance, arrived in a look that didn’t so much whisper confidence as cut it straight across the silhouette.
She wore a plunging black gown with deep cut-outs running along the sides and hips, stitched together mostly by intention. The neckline plunged fully, looping around the neck and leaving the mid-torso entirely bare. No fabric on the sides. Just skin, structure, and frankly — gravity-defying design. From the waist, the skirt fell in a soft and slinky drape, hiding nothing but moving clean. A slim black belt, almost an afterthought, cinched the midpoint with quiet precision.
Then came the finish — Jacob & Co.’s Ashoka Cut Diamond and Paraiba earrings , drops that caught the light without competing with the dress’s geometry. On the wrist, a pink sapphire and diamond boutique watch from the same house. Not showy. Just sharp.
Her neon chrome yellow nails? Reckless in the best possible way. Irreverent. The kind of detail that breaks a look out of the editorial and into personality . Hair left long and brushed through at the ends. Makeup just a single flick of liner and weightless skin.
The look wasn’t loud — but it didn’t blink either. This was Tyla knowing exactly what moment she’s walking into, and what it takes to own one.
Jennie wore a belted denim utility jumpsuit and Moncler Grenoble Moon Boots to the Moncler FW26 show in Aspen, Colorado, in January 2026.
Inside a black-on-snow hybrid runway lined with frozen columns and frostbitten chic, Jennie arrived at the Moncler Grenoble FW26 show looking like she belonged in a sci-fi remake of a snow patrol editorial. Her look was pure slope armor — a padded denim jumpsuit , cinched at the waist with a double-belted closure , chest pockets neatly aligned, collar crisp, sleeves rolled sharp. The fabric read as stiff but moved with her. No shine, no distressing — just a cold, clean indigo.
It wasn’t trending. It was functional couture disguised as street uniform, nodding to utility wear without leaning into cliche. From head to toe it held together — and rightly so, because the footwear did plenty of talking. She wore the Moncler Grenoble Fall 2025 Moon Boots , instantly recognizable with their lace-up front, exaggerated calf slope, and a textural ghost of natural cowhide paired against thick padded shells. Not overly plush, not cartoonish. Hardworking.
The statement was in the restraint. No statement earrings, no color burst. Hair was swept back under a black padded headband, classic blowout tucked in neatly. Her pose, hands-in-pocket, made the structure feel relaxed. This wasn’t glossy fashion week chaos — it was winter discipline.
It’s rare to look iconic while dressed for -10°C, but Jennie’s version of urban glacierwear turns insulation into influence.
