Emma Brooks channels a concrete muse—tattooed, bare-armed, and unapologetically raw—in Sydney Jackson’s September 2025 shoot, a quiet rebellion against polished celebrity fashion.
There’s something arresting about stillness when it’s deliberate. In Sydney Jackson’s latest editorial, Emma Brooks doesn’t pose—she occupies. Seated against a bare concrete wall, she turns an industrial void into a canvas for quiet provocation. No props, no distractions. Just a woman, a dress, and the kind of stare that makes you reconsider what “styled” even means.
Brooks wears a sleeveless, floor-length dress with a subtle tie-dye wash in shades of white and stormy gray—a palette that feels like fog rolling over asphalt. The fabric is soft and fluid, catching light in muted waves, and the silhouette is relaxed but intentional: a column cut with just enough drape to suggest movement, even in stillness. It’s unclear who designed the piece (unconfirmed at press time), but the restraint in embellishment suggests a designer fluent in minimalism—perhaps The Row or Rick Owens in a softer mood.
Her jewelry is sparse but declarative: a single oversized ring, silver-toned, worn on her index finger like a punctuation mark. No shoes, no bag. The absence of excess is the point. The tattoos on both arms—visible and unedited—become part of the styling language, blurring the line between accessory and identity.
In a room that whispers old-world charm, Madalina Ghenea leans into vintage femininity—red heels, cream buttons, and a mood that’s more cinema than selfie.
There’s a kind of glamour that doesn’t shout—it sighs. In her September 2025 editorial, Madalina Ghenea trades spectacle for intimacy, offering a look that feels plucked from a Fellini frame or a forgotten Vogue Italia spread. The setting? A warmly lit room dressed in ornate furniture and wallpaper that hums with nostalgia. The mood? Soft, cinematic, and quietly decadent.
Olivia Holt leaned into vintage romance—fringe, florals, and a whisper of prairie chic—at LoveShackFancy’s Spring 2026 show, where nostalgia met runway polish.
There’s a certain softness that LoveShackFancy cultivates—equal parts garden party and heirloom fantasy—and Olivia Holt didn’t just wear it, she embodied it. At the brand’s Spring 2026 presentation in New York City, Holt stepped into a scene that felt plucked from a modern-day fairytale: roses spilling over Persian rugs, wood-paneled warmth, and a backdrop that read “LoveShackFancy” like a love letter to femininity.
Holt’s white dress was a tactile dream—delicate detailing across the bodice, subtle embroidery, and a fringe hem that danced with every step. The silhouette was relaxed but intentional, skimming the body without clinging, and cut to evoke movement rather than structure. It’s the kind of piece that doesn’t shout but hums—softly, confidently. While the designer attribution remains unconfirmed, the craftsmanship and aesthetic align seamlessly with LoveShackFancy’s signature blend of vintage-inspired whimsy and modern wearability.
She paired the look with brown pointed-toe heels—an earthy counterpoint to the ethereal white. No jewelry, no clutch, no excess. The restraint was refreshing, allowing the dress and setting to do the heavy lifting. It’s a styling choice that speaks to Holt’s growing fluency in celebrity style —knowing when to lean in, and when to let the look breathe.
