Emma Laird wore a sculptural one-shoulder black gown with voluminous sleeves at the 35th Annual Gotham Film Awards in 2025.
Emma Laird attended the 35th Annual Gotham Film Awards in New York on December 1, 2025 , wearing a look that fused editorial architecture with red carpet audacity .
Her outfit — a sculptural one-shoulder black gown — featured a structured bodice and voluminous draped sleeves that extended with theatrical flair. The asymmetry was deliberate, the silhouette commanding — a study in directional couture.
The styling was minimal: slicked-back hair , bare neckline , and a single ear cuff that added edge without distraction. The green foliage backdrop of The Gothams amplified the drama, turning the folds of fabric into shadows and the pose into punctuation.
Lady Gaga wore a red lace garment with feathered headpiece in Rolling Stone December 2025 Voices of the Year feature.
Lady Gaga appeared in Rolling Stone’s December 2025 “Voices of the Year” issue , her styling and words merging into a single act of reclamation.
Her look — a red lace garment with sculptural sleeves paired with a dramatic feathered headpiece — fused theatrical maximalism with autobiographical symbolism. The bold red lips and geometric hand pose sharpened the image into something ritualistic, where fashion became declaration.
The narrative embedded in the feature was equally uncompromising. “I believed in suffering for your art. But it was really not healthy,” Gaga admitted, reframing her legacy through the lens of healing. Another line — “Lady Gaga’s the person who made Lady Gaga” — underscored the self-authorship at play. The styling echoed these confessions: feathers as residue of flight, lace as a net of memory, nails as talons of survival.
Emma Laird wore a sculptural one-shoulder gown with voluminous draped sleeves for her Gotham Awards portrait in December 2025.
Emma Laird posed for a studio portrait during the 2025 Gotham Awards , wearing a look that fused editorial architecture with cinematic restraint .
Her outfit — a one-shoulder gown in dark satin — featured a structured bodice and voluminous draped sleeves that cascaded with sculptural intent. The asymmetry was deliberate, the silhouette commanding — a study in directional elegance.
The styling was minimal: slicked-back hair , bare neckline , and a single ear cuff that added edge without distraction. The gray backdrop amplified the drama, turning the folds of fabric into shadows and the pose into punctuation.
