Emma Laird wore a sequined patchwork mini dress and black boots for ELLE UK and Louis Vuitton’s SS26 show in October 2025.
Emma Laird’s editorial appearance for ELLE UK and Louis Vuitton’s SS26 show was a study in maximalist whimsy. She wore a short, oversized patchwork mini dress in green, orange, and white floral motifs , embellished with sequins and finished with a scalloped black hem . The silhouette was playful, the texture deliberate — a visual language of curated chaos.
The dress’s oversized cut disrupted conventional proportions, while the sequins added surface tension. The black boots grounded the look, introducing vertical weight and echoing the hem’s contrast. The small black handbag, held with precision, reinforced the editorial logic: every element was intentional.
Chase Infiniti wore multiple avant-garde outfits, including knitwear, sculptural skirts, and flame capes, for DAZED Winter Issue 2025 editorial.
Look 1 — Gold Knit + Pink Sculptural Skirt
Chase Infiniti in DAZED Winter Issue 2025 editorial appears in a metallic gold cable‑knit turtleneck paired with a voluminous pink pleated skirt. A black harness belt diagonally cinches the waist, creating tension between knit density and sculptural volume.
Look 2 — Red/Grey Flame Cape + Metallic Boots
In another frame, Chase Infiniti wears a cape‑like garment in red and grey, adorned with flame motifs. The silhouette flares outward, paired with metallic boots that inject futuristic edge.
Look 3 — Brown Paisley Dress + Graphic Belt
Another editorial shot shows Chase Infiniti in a sleeveless brown paisley dress with a high neckline, cinched by a wide belt with a circular buckle and diagonal strap in green‑black diamond pattern.
Look 4 — Burgundy Flame Sweater + Cream Sculptural Skirt
The final look features a burgundy sweater with black flame motifs, paired with a cream pleated skirt with scalloped hem. Knee‑high boots with blue‑silver embellishments complete the ensemble.
Sydney Sweeney wore a silver feathered Miu Miu gown and Messika jewelry at The Housemaid New York Premiere in December 2025.
Sydney Sweeney’s appearance at The Housemaid premiere was a maximalist return to cinematic glamour. She wore a custom silver Miu Miu gown with a deep neckline and feathered accents along the sides, styled with Messika White Midnight Sun Earrings and the Messika Concorde Ring . The silhouette was sculpted, the sparkle deliberate — a visual language of screen siren excess.
The gown’s feathered trim wasn’t just embellishment — it was choreography. It moved with her, framing the body in soft motion. The silver fabric, reflective and fluid, caught the light like a marquee. The neckline plunged, but the proportions held — a balance of exposure and elegance.
Sweeney’s styling leaned into the theme. Her hair, curled in soft 1950s waves, reinforced the retro logic. The jewelry, white-toned and architectural, added contrast without clutter. The backdrop — Christmas trees, oversized red letters, and holiday decor — amplified the look’s theatricality. This wasn’t just a premiere. It was a spectacle.
Does this silhouette evoke Old Hollywood more, or contemporary couture minimalism?
How does this kind of holiday glamour reflect the current appetite for cinematic fashion on red carpets?
