Emma Naomi steps into Cosmopolitan UK’s February–March 2026 issue, styled in playful contrasts and bold textures.
In Cosmopolitan UK’s February–March 2026 issue, Emma Naomi sits on the floor beside a freestanding bathtub, cardigan patterned with a torso sketch, tiered skirt spilling around her, blue Mary Jane platforms grounding the look. The scene is cluttered—soap dish, jewelry, stray heels. It feels lived-in, not staged.
Another frame shifts mood. A sheer lavender shirt with cutout shoulders, mauve trousers cinched by a belt dripping gold and silver charms. She leans against a mantelpiece, candle and floral print above, lamp with fringe beside. The outfit is sharp but softened by the domestic setting. Accessories do the talking here, the belt pulling focus.
Then comes the baroque print top with balloon sleeves, paired with lace-trimmed bloomers and towering platforms. A green plant, designer chairs, and a floor lamp fill the background. It’s playful, almost absurd, but deliberate. Bloomers dragged into the 21st century, stitched with irony and confidence.
Together, the spread doesn’t chase glamour. It leans into contrasts—bathroom clutter, mantelpiece calm, baroque exaggeration. Naomi doesn’t smooth the edges. She lets them stay jagged.
Olga Kurylenko steps into Glamour USA’s April 2015 issue, styled in denim reimagined for spring chic.
In Glamour USA’s April 2015 issue, Olga Kurylenko wears Rachel Comey denim shorts with a Chloé blouse and Valentino Garavani sandals. The look is simple, almost holiday casual, but with a sharper edge. She mentions preferring smarter jean shorts when she wants to be chic, flat sandals for walking all day. It’s practical, not postured.
The spread builds around denim’s versatility. High-waisted jeans paired with romantic tops and lace-up boots, overalls styled with luxe vests and heels, jackets buttoned up as tops with relaxed trousers. Each page pushes denim into different moods—grown-up, easy, daytime. Accessories do the heavy lifting: statement belts, bold rings, fringe heels, bronzing sticks.
Kurylenko’s presence ties it together. She’s not stiff in these clothes. She looks like someone who might actually wear them, not just model them. The editorial doesn’t chase glamour—it leans into denim’s adaptability, showing how it shifts from runway polish to everyday wear.
Mia McKenna-Bruce opens up in Culture Magazine’s January 2026 issue, balancing rising fame with grounded honesty.
In Culture Magazine’s January 2026 issue, Mia McKenna-Bruce leans against a textured wall in a brown polka-dot dress. The pose is relaxed, almost casual. Her expression isn’t posed—it’s mid-thought, maybe mid-laugh. There’s no high-gloss styling here. Just a woman in motion, caught between roles.
She’s everywhere right now. Playing Ringo Starr’s wife in Sam Mendes’s Beatles biopic, starring in Toxic Dial with Helena Bonham Carter, and stepping into Agatha Christie’s world as Eileen ‘Bundle’ Brent. But the buzz doesn’t seem to rattle her. She still worries about the cost of bottled water during interviews. Still answers calls from Barry Keoghan with a laugh.
The article traces her path from child actor in Tracy Beaker Returns to her breakout in How to Have Sex , a film that’s still echoing through classrooms and conversations. She talks about shame, expression, and the years of introspection that preceded her rise. There’s no performance in her words—just clarity. She’s a mother now, too. “It’s not easy, but it’s magic,” she says. That line lands harder than most.
She reflects on accents, ballet, voice work. On being taken seriously. On people who saw themselves in her characters, even when it hurt. The editorial doesn’t try to dress her up. It lets her speak, lets her sit still. And that’s what makes it work.
