Emma Raducanu wore a blue long-sleeve top and tennis skirt during her Hobart International 2026 match opener against Camila Osorio.
This isn’t one of those polished, posed courtside shots. This is Emma Raducanu mid-swing , legs off the ground, racket slicing forward like she’s trying to split the night. No drama, just grit. Power, not posture.
She’s wearing something quiet, almost muted– a dusty blue long-sleeve performance top , fitted toward the torso, designed for function. Below the waist: a pale blue pleated tennis skirt that flies outward with the force of her movement. Her sneakers–neon pink, no ambiguity there–feel like the punctuation in an otherwise low-volume outfit. Nike visor on. Ponytail held back. Eyes tracking the ball like it insulted her family.
No frills. Just speed and tension and clean lines.
Lisa Vicari appears in the January 2026 issue of Numéro Netherlands, photographed in three distinct outfits that highlight structure, texture, and monochrome elegance.
January 2026. Lisa Vicari in pinstripes, blazer sharp, cuffs white, trousers black. A beret tilted, shoes mismatched — one light, one dark. Pose confident, hand on hip, the other raised slightly. The monochrome frame emphasizes lines, textures, the geometry of tailoring.
Another frame, softer but still deliberate. A polka-dotted dress, puffed sleeves, white collar, bow at the neckline. Buttons running down the front. One hand raised near her head, expression contemplative. Lighting gentle, vintage feel. The dress playful yet restrained, retro without excess.
Third look, pared down. A houndstooth sweater, pattern bold, hair pulled back. Seated, gaze direct, neutral expression. Background plain, light. The sweater’s texture against the simplicity of the setting makes the portrait feel raw, almost unfinished.
Her styling here: deliberate contrasts. Tailored pinstripes, retro dots, patterned knit. Together they form a fashion spread stitched from fragments. A celebrity photoshoot that resists glamour excess, leaning instead into texture, tone, and mood.
The critic’s note: Vicari’s editorial wasn’t about spectacle. It was about fragments — blazer lines, bow tied, houndstooth sharp. A styled shoot reframed into something tougher, more authentic.
Vicari’s three looks read as high fashion minimalism with grit. Each outfit carried authority: pinstripes structured, polka dots playful, houndstooth grounded. It’s the tension between tailoring and texture that makes this magazine cover and editorial resonate as authentic.
Jane Krakowski wore a sequin mini skirt and white blouse for PLAYBILL’s November 2025 editorial photoshoot shot by Heather Gershonowitz.
Shot by Heather Gershonowitz for PLAYBILL’s November 2025 issue , Jane Krakowski doesn’t overdo it here–or underplay it either. The pose? Casual. Hair lightly smoothed with one hand. No spotlight-eyed stare, no mystery. She looks like she could be mid-rehearsal. Or mid-laugh. Depends on the moment.
The look is surprisingly basic– but with intention . A crisp white button-down, relaxed at the cuffs, tucked into a high-waisted black mini skirt covered in sequins that catch light like slow-moving traffic on a wet street. It sparkles, but not aggressively. The shirt is formal in structure but softened through rolled sleeves and a neatly oversized black bow at the collar. It’s possible to imagine this outfit as officewear, if your office happened to be on a stage under footlights.
Black semi-sheer tights complete it, grounding the shine underneath in something steadier. No visible shoes, no extra jewelry, no flashy beauty accents. That simplicity feels honest.
