Emma Raducanu wore a dual-tone Nike dress and lemon-yellow trainers during her second-round loss at the 2026 Australian Open in Melbourne.
Under the searing Melbourne sun, Emma Raducanu cracks a backhand in her cobalt-lilac Nike dress–halterneck, black contour panel, neon armhole flash–only to watch the ball whistle back with even more venom. Her event appearance ends in disappointment: a 7-6(4), 6-2 loss to Russia’s Anastasia Potapova on 21 January 2026. Volt-yellow sneakers and a matching visor carry the colour story; the cut-out waist keeps airflow high as the scoreline sinks.
Brooks Nader wore a gray faux-fur crop jacket and sleek black pantaboots on the magenta carpet at the Infinite Icon premiere in 2026.
The magenta carpet barely cools before Brooks Nader steps out, wrapped in storm-cloud fluff and needle-sharp footwear for the Los Angeles premiere of “Infinite Icon: A Visual Memoir,” 20 January 2026. Her look flips the usual gown script: a cropped faux-fur jacket in smoky grey, sleeves long enough to swallow knuckles, tossed over second-skin black leggings that morph seamlessly into pointed boots–the pantaboot effect made famous by Demna’s Balenciaga. No dress train, no sparkle, just texture and silhouette doing all the talking. The only accessories: tiny hoop earrings and a bare-minimum clutch hiding in the fur. Phones rise, flash, and feed the endless loop of red carpet fashion digestion.
Jennette McCurdy wore a silver paillette-covered mini dress layered over a sheer black shirt for her Tonight Show appearance in January 2026.
Backstage at 30 Rock on January 20, 2026, Jennette McCurdy kept it smart but not stuffy — sparkly, but not manic — for her late night guest spot on The Tonight Show Starring Jimmy Fallon . Her look balanced clean tailoring with kitschy late-2000s shimmer: a strapless silver mini drenched in square paillettes layered over a simple sheer black button-up blouse. One of those choices that probably shouldn’t work. But somehow does.
It’s the blouse that makes it. You expect bare arms with a sequin mini like this, maybe a cropped jacket or nothing at all. Instead, there’s corporate formality creeping in — collar crisp, sleeves tailored, the fabric light enough to blur the lines. And underneath it, the metallic dress feels a little like party armor. It doesn’t hang like high-end designer work. It catches the light like an inbox full of unread emails: attention-grabbing, a little noisy, hard to ignore.
She pairs it with black sheer tights and glossy pointed heels — no platform, no edge. The usual jewelry is pared back, and her hair is softly pulled into a half-up twist with curtain bangs. Clean makeup, easy peach tones on the cheek. It all softens what could’ve been too harsh.
