Emma Raducanu defeated Greet Minnen in the first round of the Winners Open in Cluj-Napoca, Romania, on February 2, 2026.
In Cluj-Napoca on February 2nd, 2026, Emma Raducanu stepped onto the court like she had no intention of easing into anything. First round at the Winners Open, and her footwork said “quarterfinal” from the first serve. Opponent: Belgium’s Greet Minnen. Outcome: clean, efficient, quietly intense.
Visually, the look was sharp. Color-blocked tennis dress —mostly powder blue, with black and neon yellow detailing adding slices of contrast through the silhouette. It flared lightly with movement but held close at the zippered neckline, keeping it modern, athletic, and sharp. Her Nike shoes , in white with coral soles, padded each pivot precisely—no wasted motion.
Hair was tied back into an effortless mid-height pony. No jewelry. No dramatic sleeves or statement logos. Just form and function. That’s always been part of her off-court appeal too —clean lines, high performance. The look fits the player, and the moment.
And that forehand? Snappy. Aggressive. Ready. This wasn’t nostalgia Raducanu—it was current form, current drive, and completely in the now.
Yerin Ha and Luke Thompson posed for Netflix Tudum’s 2026 editorial shoot in layered city looks with playful details and classic textures.
For Netflix’s Tudum 2026 editorial shoot, Yerin Ha and Luke Thompson leaned into that mid-season mood: in-between weather, early afternoon light, and outfits built to hold some contradiction.
Yerin Ha is the scene stealer, obviously. Boxy brown leather jacket , cropped right below the ribs, layered over a white tee, sleeves slightly pushed. Below, a mini skirt in a classic plaid check —muted camel, black, gray—and a subtle A-line cut. Burgundy socks scrunched mid-calf and worn with dark patent loafers give the whole thing a prep-gone-indie twist. But then there’s the pink umbrella. She’s barely holding it, just letting it float above her like punctuation. Hair down, parted natural. Face clean, unfussed. She looks like she got caught in the weather and styled herself through it.
Luke Thompson stands off to the side, casual to the core but still deliberate. Double denim underneath a long beige overcoat , with the collar of the button-down open over a soft blue tee. Jeans slightly baggy. White sneakers grounded the palette, loosening the entire frame. His hands are behind his back, leaning casually—but there’s a kind of tension in the posture, like a moment just before something.
Together, it feels like a mid-scene film still, not a photoshoot. Less about posing, more about holding the space between two people—and everything unsaid.
Ariana Greenblatt stars in L’Oréal Paris’ 2026 campaign with radiant skin, soft glam makeup, and a natural beauty look.
In the soft-focus glow of L’Oréal Paris’s 2026 beauty campaign, Ariana Greenblatt brings a kind of gentleness that doesn’t disappear under the light. No shimmer explosions. No exaggerated color blocks. Just balance—clean lines, modern texture, muted tone.
Her makeup look draws you in slowly: feathered brows , diffused rose-mauve lips with a blurred edge like she’d just smiled in them, and lashes curled but not stiff. The skin is luminous —dewy but not glassy—with blush sitting right in that space between warmth and youth. No contour trenches. Just natural shadow and light.
Hair is styled in soft layers falling just below the shoulder, with a touch of face-framing bend, nothing forced. A classic side part softens everything. She’s wearing a deep black blazer , but honestly, the jacket could be made of fog—you’re not really looking at clothes here. What hits is her stare. There’s a steadiness to it. Nothing loud, still all presence.
In a sea of cookie-cutter “glam moments,” this is something different. It feels like a reminder that beauty doesn’t always need to arrive screaming.
