Emma Roberts wore a black turtleneck top and white spotted maxi skirt at the 2026 Fanatics Super Bowl Party in San Francisco.
There’s something undeniably sharp about going full contrast — and Emma Roberts did it with confidence at the 2026 Fanatics Super Bowl Party at Pier 48 in San Francisco .
She wore a black ribbed turtleneck top , the kind that fits clean and snug without screaming for attention — just enough texture to catch the light. It tucked seamlessly into a white ankle-length skirt patterned in black abstract spots . Somewhere between Dalmatians and ink blot tests, but make it tailored. No frills, no volume — just sleek and printed.
Here’s the thing: the real winner was the belt. A black structured belt with a gold buckle , breaking up the halves and giving the whole thing actual shape. Without it, this could’ve veered into “souvenir scarf draped over basics.” With it, it felt structured and precise.
Her black pointed heels were just visible beneath the skirt hem — enough to sharpen the silhouette but not beg for credit. The sunglasses helped too . A nod to old-school movie star “don’t look at me” energy. Then there’s the soft leather clutch folded neatly under her arm, not adding weight, just grounding the look.
If you ask me, this is a celebrity event look that balances restraint and confidence. It doesn’t shout. It doesn’t need to.
Everything animal print is cyclical, but Emma’s version — graphic, grounded, minimalist — feels especially smart for a media event moment like this.
Would this look hit harder with a red lip, or do you like the soft-glam restraint?
Kendall Jenner wore black capri pants, a taupe windbreaker, and minimalist heels to the Fanatics Super Bowl Party in February 2026.
There’s something about this look that says: “I’m not trying,” which, of course, means it’s calculated perfectly. Kendall Jenner arrived at the 2026 Fanatics Super Bowl Party at Pier 48 in San Francisco dressed like she stepped out of an editorial shoot mid-coffee run. In the best way.
She’s wearing black capri-length leggings — not typical streetwear, not traditional red carpet. These hit awkwardly mid-calf, and that’s what makes them good. Fashion hinges on that kind of risk: when it looks slightly off… but confident. On top? A crisp, taupe windbreaker pulled tight at the wrist, cropped just enough to give it volume. The zipper is halfway up, collar rigid but casual. Anti-flashy. Pro-control.
Her footwear choice adds a full stop to the sentence — black heeled thongs . Yes, thong heels. Held together by confidence and toe grip. The kind of shoe that doesn’t belong in a stadium parking lot, which is exactly the point.
What I like here is that it’s almost aggressively unbothered — not over-accessorized, not over-styled. The sheer efficiency of the look—a windbreaker, cropped pants, and heels—is actually refreshing for a celebrity event appearance . Especially when everyone else is still chasing maximalist shimmer.
Maisie Peters wore a white shirt, black tie, and high-waisted shorts in a behind-the-scenes February 2026 i-D Magazine shoot.
There’s something theatrical and blunt about this — and I mean that in the best way. Maisie Peters was captured in a candid BTS frame during the i-D Magazine/My Regards shoot styled by Sophie Scott , and it’s giving art student on espresso and post-punk vinyl.
She’s front and centered in a power pose. Arms crossed. Eyes dead ahead. In a cropped white button-up , tensioned neatly at the collar with a black skinny tie . It’s uniform-meets-underdog. Masculine? Yes. But almost defiant in how styled it isn’t. Below: high-waisted tailored black shorts , aggressively hemmed to thigh level. Paired with sheer black tights and black stilettos, which take it dangerously close to cabaret energy… but not quite.
The hair is platinum and precise. Bobbed with a side part and flipped ends, sitcom-ish but cool. The setting — all warm light and creaky floorboards — makes the crisp whites sharper, the tie suddenly more dramatic. That contrast works. Like a school play that ended up looking better than the original stage version.
If you ask me, this look lands because it feels as staged as it is lived-in. Which is the whole point of a good fashion editorial — characters first, meaning in the styling second.
