Emma Roberts stars in Harper’s Bazaar España’s December 2025 issue, showcasing a series of high-fashion looks that fuse texture, posture, and editorial clarity.
For the December 2025 issue of Harper’s Bazaar España , Emma Roberts delivers a multi-look editorial moment that fuses celebrity photoshoot-coded tonal richness with fashion spread-coded sculptural elegance . Across several compositions, Roberts explores the tension between softness and structure, minimalism and maximalism, all reframed through studio portrait-coded editorial fluency .
In one cover image, Roberts wears a black beret and a multicolored tassel-adorned garment , styled against a neutral brown backdrop. The tassels — in shades of green, gold, lavender, and peach — evoke beauty shot-coded kinetic texture , where movement is implied through styling alone. Her red hair and direct gaze anchor the composition in high fashion-coded tonal contrast , balancing vibrancy with restraint.
Another look features Roberts seated on the floor in a patterned faux fur coat and sheer black tights , framed by a neutral gradient and bold pink typography. The pose — relaxed yet composed — reads as styled shoot-coded cinematic softness , where luxury is expressed through posture and palette.
A third image presents Roberts in a black off-the-shoulder outfit , paired with sheer tights and multiple rings, set against a maroon backdrop. The composition leans into studio portrait-coded emotional clarity , where elegance is distilled into gesture and gaze.
In a final, more abstract pose, Roberts wears red fishnet-patterned tights and black ballet-style shoes , her leg raised and foot resting on her shoulder, hand framing her eye. The visual tension and contorted pose channel fashion photoshoot-coded surrealism , where the body becomes a sculptural element in the editorial narrative.
Dua Lipa was seen arriving at a restaurant in Rio de Janeiro on November 18, 2025, wearing a bold mix of textures and standout accessories.
On the evening of November 18, 2025 , Dua Lipa was photographed arriving at a restaurant in Rio de Janeiro , delivering a moment of celebrity street style-coded tonal boldness reframed as off-duty glamour-coded editorial punctuation . Stepping out of a vehicle onto mosaic pavement under city lights, Lipa wore a pink and red corset-style top by Fanci Club , paired with dark blue jeans and purple Jimmy Choo Jemma MM leather mules .
The look fused fashion photoshoot-coded color blocking with studio portrait-coded silhouette clarity , where the corset’s sculpted lines and saturated tones anchored the ensemble in visual rhythm. Her accessories — a chunky gold necklace and the Maison Margiela Loved to Death tote bag in leopard print — added layers of styled shoot-coded maximalist punctuation , balancing the outfit’s structured top with playful texture.
This appearance aligns with the current mood of nightwear-coded fashion storytelling reframed for urban editorial realism . The Fanci Club corset evokes beauty shot-coded sculptural femininity , while the Jimmy Choo mules introduce a layer of high fashion-coded tonal contrast , grounding the look in polished irreverence.
The leopard-print tote by Maison Margiela — a piece known for its deconstructed symbolism — situates Lipa within a lineage of celebrity photoshoot-coded accessory fluency , where bags are not just functional but narrative. The chunky gold necklace adds a note of studio portrait-coded visual weight , reinforcing the outfit’s editorial balance.
In the context of Rio’s vibrant nightlife and Lipa’s global fashion presence, the ensemble reads as both cinematic and street-smart — a fusion of behind the scenes-coded spontaneity and fashion spread-coded intentional styling .
María Pedraza stars in Harper’s Bazaar España’s December 2025 issue, photographed by Álvaro Gracia in a multi-look editorial that blends sculptural fashion with surreal poise.
For the December 2025 issue of Harper’s Bazaar España , María Pedraza delivers a multi-look editorial moment that fuses celebrity photoshoot-coded sculptural elegance with fashion spread-coded surreal minimalism . Shot by Álvaro Gracia , the editorial unfolds across a series of visually arresting compositions, each reframing Pedraza’s presence through posture, palette, and avant-garde styling.
The cover image presents Pedraza in a floor-length sleeveless white garment , paired with red tights and pale yellow heels , seated in a symmetrical pose with arms raised and legs extended. The composition evokes studio portrait-coded architectural clarity , where fashion becomes a study in form and tension.
In another look, Pedraza wears a black off-the-shoulder ensemble with sheer tights , seated against a maroon backdrop. Her pose — composed and introspective — reads as beauty shot-coded tonal restraint , where elegance is distilled into gesture and gaze.
A third image captures Pedraza in a black outfit with red fishnet-patterned tights , her leg raised and foot resting on her shoulder, hand framing her eye. The pose is bold, contorted, and visually magnetic, channeling styled shoot-coded kinetic surrealism , where fashion becomes performance.
The final look features Pedraza in a mirror-adorned dress , arms crossed over her chest in a black-and-white composition. The compact mirrors and makeup cases transform the garment into a high fashion-coded reflective manifesto , where beauty and identity are refracted through editorial symbolism.
