Emma Roberts wore a grey dress with matching tie at the Tom Wolfe Fiction Prizes and Lukas Gage book launch on 14 October 2025.
On 14 October 2025 , Emma Roberts attended the Tom Wolfe Prizes for Fiction and Lukas Gage’s book launch , delivering a celebrity event look that fused literary polish with fashion-forward tailoring. Captured in a candid moment at the venue, Roberts wore a grey dress with a matching grey tie , styled with minimal accessories and a relaxed silhouette that balanced structure and ease.
The setting—a dimly lit room with white tablecloths, drinks, and visible “EXIT” signage—suggests a public venue or restaurant, reinforcing the media event atmosphere. Her red hair and warm smile added vibrancy to the otherwise neutral palette, while the presence of the red book RAMUS STORIES on the table subtly anchored the scene in its literary context.
Mariah Carey wore a black travel outfit while boarding her private jet in Sydney on 21 October 2025.
On 21 October 2025 , Mariah Carey was seen boarding her private jet in Sydney , delivering a celebrity event look that fused travel practicality with signature polish. Captured mid-ascent on the aircraft stairs, Carey wore an all-black ensemble that emphasized silhouette and movement.
Her long, curly blonde hair cascaded over her shoulders, adding softness to the otherwise structured look. The outfit—composed of a fitted black top and coordinating bottoms—was styled for ease without sacrificing presence. The monochrome palette, paired with her confident posture and minimal accessories, created a moment of public appearance elegance rooted in simplicity.
Olga Obumova wore multiple layered and textured outfits for the Abercrombie October 2025 fashion photoshoot campaign.
For the Abercrombie October 2025 collection , Olga Obumova appears in a multi-look fashion photoshoot that explores texture, layering, and tonal contrast across a series of studio portraits. Each outfit offers a distinct narrative, yet collectively they reflect Abercrombie’s evolving aesthetic—where casualwear meets editorial polish.
In one look, Obumova wears a white lace-trimmed slip dress cinched with a black belt , layered under a grey oversized cardigan . The styling is completed with cream knee-high socks and black cowboy boots , blending softness with western edge. The setting—a minimal white wall flanked by a clothing rack and ironing board—evokes a behind-the-scenes intimacy, reinforcing the styled shoot energy.
Another frame shows her seated in a light olive-green chair , wearing a sleeveless dark brown turtleneck sweater , black leather shorts , and a black fur coat draped over her shoulders. The textures—knit, leather, and faux fur—create a tactile richness, while her upward gaze and relaxed posture suggest confidence without rigidity.
A third image captures her sitting on the floor in front of the same chair, now styled in maroon polka-dot socks , black shoes , and the same sleeveless turtleneck. The pose is casual, the composition clean, and the mood introspective.
Finally, a close-up reveals a colorful striped sweater in horizontal bands of red, white, black, yellow, and purple. Her arm partially covers her forehead, framing her face and drawing attention to the direct gaze—a moment of beauty shot intensity within a broader editorial.
The Abercrombie campaign leans into the 2025 trend of layered realism , where garments are styled not just for visual impact but for emotional resonance. Obumova’s looks reflect a curated spontaneity—each outfit feels lived-in, not staged. The inclusion of domestic props (ironing board, hangers, upholstered chair) situates fashion within everyday rituals, blurring the line between studio portrait and lifestyle documentation.
The use of varied textures—lace, knit, leather, fur—signals a shift from logo-driven branding to material storytelling . Abercrombie’s pivot toward editorial credibility is evident here: the campaign doesn’t just sell clothes, it stages moods.
