Spotted walking through Saint Tropez, Emma Watson’s latest look is a masterclass in easy, sun-drenched style—a nonchalant street style moment proving that laid-back sophistication is always in season.
Emma Watson has always been a quiet force on the fashion scene. While she can deliver high-drama on the red carpet , her true genius often lies in her day-to-day choices. This August 2025 outing in the French Riviera captures that essence perfectly. There is an unmistakable air of ease, as if she simply threw on the perfect dress and walked out the door, headphones in tow. It’s an authentic, unforced kind of cool.
The outfit focus is a vibrant red maxi dress with a faint polka-dot print. This is the Allegra Aura dress by Réalisation Par , a brand known for its effortlessly chic, vintage-inspired pieces. The dress has a classic slip-dress silhouette with thin spaghetti straps and a flowing, bias-cut skirt that skims the body without clinging, creating an elegant and comfortable drape. The fabric appears to be a lightweight silk crepe, a perfect choice for the warm climate of Saint Tropez, giving the dress a beautiful, fluid movement.
For accessories , she keeps things minimal and purposeful. She carries a chic, structured tan leather shoulder bag that offers a nice contrast to the vibrant red of the dress. Her footwear—simple, matching red flats—are a practical and stylish choice for walking. They complete the look without fuss or pretense.
The styling cohesion is what ties the entire look together. Her hair is worn in a relaxed, natural style, falling softly around her face as if a gentle breeze had just swept through it. She wears minimal makeup, allowing her natural beauty to take center stage. The mood is one of quiet contentment and personal ease—a perfect snapshot of a celebrity’s off-duty life. This kind of authentic, personal fashion moment is exactly why her street style continues to captivate.
Julia Garner commands the September 2025 W Magazine cover, trading her signature curls for a dramatic platinum ‘do in a photoshoot that’s part Old Hollywood fantasy, part fever dream.
Julia Garner has a unique ability to shapeshift, effortlessly moving between raw intensity on screen and chameleon-like glamour for the camera. For her W Magazine cover, she fully embraces this theatrical side, serving a look that is a masterclass in fashion as performance. It’s an unforgettable moment captured by the legendary photographer Steven Meisel.
The outfit focus is a feathered, embroidered black garment from an unconfirmed designer, possibly Miu Miu or Gucci given her past collaborations. The piece features a sheer mesh base adorned with scattered, bronze-gold sequins that catch the light. The most striking element, however, is the explosion of plush, black feathers that frame her shoulders, adding a sense of wild, untamed drama to the otherwise structured look.
Her styling cohesion is what elevates this from a simple outfit to a full-on character study. Her hair, styled by Guido, is a shock of platinum blonde, teased into a cloud-like, almost Marie Antoinette-esque coif that looks both rigid and soft. Makeup, credited to Pat McGrath Labs, is a bold, abstract work of art: a heavy sweep of metallic blue eyeshadow across her lids is grounded by an intense, crimson lip. The juxtaposition of the dark, textured garment with the light hair and bold makeup creates a mesmerizing tension, a visual narrative of beauty and chaos. This fusion of elements makes the final image so compelling and stands out in a sea of celebrity photos.
You can find out more about what goes on behind the scenes of a celebrity photoshoot with this W Magazine video on Julia Garner .
Lola Tung trades Hollywood’s polished glamour for a dose of downtown defiance—cropped knits, frayed hems, and a pair of heels that mean business—in NYLON’s September 2025 spread, lensed by Emily Soto. (Consider this your warning: the era of “nice girl” styling is officially over.)
There’s a moment in every young star’s career when the red carpet polish starts to feel like a cage. Lola Tung’s latest editorial for NYLON —shot by the ever-bold Emily Soto—isn’t just a photoshoot; it’s a declaration. This isn’t the ingenue we’ve seen on the Summer I Turned Pretty press tour. This is Tung stepping into the kind of celebrity style that thrives on contradiction: sweet meets subversive, vintage flirts with vandalism.
Tung’s first look is a masterclass in “I woke up like this” rebellion. A cropped, cream-colored knit top—deliberately slouchy, its high neck a nod to modesty that’s immediately undercut by the midriff-baring cut—pairs with a lavender wrap skirt. The skirt’s frayed hem isn’t just distressed; it’s a frayed edge of defiance, the kind of detail that whispers (or shouts), “I know the rules—and I’m rewriting them.” The silhouette is loose, almost sloppy, but the color palette—soft cream, dusty lavender—keeps it from veering into chaos. It’s the sartorial equivalent of a shrug: effortless, but loaded with intent.
In the second frame, Tung kneels in a chunky, ice-blue crochet cardigan that swallows her frame, its oversized sleeves pooling around her like a security blanket for the apocalypse. The cardigan’s texture is everything—thick, tactile, the kind of piece that begs to be touched. Paired with gray leggings and those same killer red stilettos (more on those later), the look toggles between cozy and confrontational. It’s as if Tung raided a grandma’s knitting basket and a punk’s shoe closet, then dared you to call it a mismatch.
