Emmanuelle Chriqui wore a fitted black top and wide-leg leather pants to the Borrowed Spotlight remembrance reception in Los Angeles on Feb 3.
At the Borrowed Spotlight remembrance reception in Los Angeles on February 3, 2026 , Emmanuelle Chriqui brought a calm kind of edge. No sequins. No sheer drama. Just a sleek off-the-shoulder black top , the neckline resting with purpose, square and quiet. Clean lines, no drape. It worked because it didn’t try too hard. That might sound simple—until you notice the cut.
But it’s the pants that really carried the mood. Wide-leg leather trousers , high-waisted, slightly glossy, with just enough creasing to avoid stiffness. Belted. Functional pockets. Not club-ready shine—more grown-woman gloss. The rest was minimal: black pointed-toe pumps , a gold cuff , and hair left down in loose, brushed waves. Easy. Grounded. No flashy earrings, just a tiny necklace sitting barely at collarbone. A look meant for a media event that wasn’t about her—but still, she showed up looking finished.
The tone matched the event. Reflexive. Not overstyled for attention, but not so muted that she disappeared into the backdrop. It said: I’m here, I’m present, and I’m not dressing like this is about me.
Lily Brooks O’Briant wore a strapless red gown with sheer draping to the Scream 7 x Meta Creator Event held in Los Angeles, February 3, 2026.
At the Scream 7 x Meta Creator Event in Los Angeles on February 3, 2026 , Lily Brooks O’Briant went full crimson. But not horror-movie blood red—more Hollywood premiere red. Wide, saturated, and almost glossy under camera lights. Her strapless gown came built like a nod to old-school glamour: structured bodice, fitted through the waist, and a thigh-grazing slit revealed beneath light layers of soft, sheer chiffon . It moved, a little. Enough to catch light, not enough to distract. Instead of a necklace, the dress itself handled the detail—crafted with a built-in scarf effect looping behind the neck and tumbling into a cape-like fall. Bold, but not loud.
Accessories were smartly edited: a stacked pearl bracelet, red nails matching the dress exactly (commitment, not coincidence), and strappy heels lost beneath the hem. Her auburn hair? Brushed into a voluminous bend, tucked just so over one ear. Not complicated—perhaps deliberately so. The full red carpet fashion beat grounded by proximity to a guy in a Ghostface mask wielding a plastic knife. Yes, it’s that kind of event.
Still, context didn’t steal her shine. What could’ve gone costume-y turned elegant because she didn’t lean into theme; she floated next to it. And sometimes the boldest move in a genre setting is to dress like you’re above the scream.
Jenna Dewan wore a sheer lace corset top and white wide-leg pants to the Borrowed Spotlight remembrance event in Los Angeles on Feb 3, 2026.
At the Borrowed Spotlight remembrance book exhibition in Los Angeles on February 3, 2026 , Jenna Dewan walked the understated carpet in a delicate mix of softness and structure. Her event appearance leaned quiet, but not forgettable. The look: a sheer white corset top , all swirling lace and off-shoulder asymmetry, hinting at sculpture more than seduction. Light hits the top just right—revealing floral patterns stitched into the transparency like they were meant to blur memory and skin.
Paired with it: clean-cut wide-leg trousers in a soft ivory rather than strict white. Loose, maybe intentionally a little long at the hem, as if brushing against earth was the goal. Minimal accessories. Natural waves brushed across one shoulder, middle-parted with intention but no drill-sergeant polish. Makeup sat in that sweet, middle register—warm tones, no drama.
At an event rooted in history and mourning, this felt like the right kind of presence. She didn’t over-style. She didn’t underthink. This wasn’t about fashion show guest energy or dominating camera flashes. It was still, restrained—maybe even reverent.
The fashion verdict ? Confident restraint. The tension between sheer material and solemn context could have made the look feel mismatched—but it didn’t. What she wore wasn’t loud—it just listened. And in a space built for memory, that’s the loudest thing you can do.
