At the “One Battle After Another” premiere, Chriqui channels cinematic noir—her tiered lace gown and plunging neckline whisper old-world drama with modern defiance.
Emmanuelle Chriqui’s arrival at the Hollywood premiere of One Battle After Another on September 8, 2025, felt like a scene from a monochrome dream—equal parts romantic and resolute. Her long black gown, sheer and intricately laced, unfolded in tiered layers that moved like shadowplay across the red carpet.
The deep V-neckline added a sultry edge, balanced by the gown’s belted waist that cinched the silhouette with quiet authority. The lace detailing—floral, delicate, and densely patterned—evoked Victorian elegance, but the styling was anything but nostalgic. This was gothic glamour reimagined for a woman who knows her angles and owns her narrative.
Chriqui’s pose was poised yet relaxed, one hand resting at her side, the other subtly angled to highlight the dress’s movement. The backdrop—a stark white wall emblazoned with the phrase “ONE BATTLE AFTER ANOTHER” in bold black text—only amplified the drama. It was fashion as statement, not just styling.
Accessories were minimal, letting the texture and cut of the dress take center stage. Her hair, softly waved and parted down the middle, framed her face with effortless grace. Makeup leaned into the mood: a smoky eye, nude lip, and skin that caught the light without competing with the lace’s intricacy.
For more moments where celebrities turn lace into power dressing, explore our archive of celebrity red carpet transformations.
Is lace having its revenge era—or is Chriqui simply reminding us that softness doesn’t mean surrender? Either way, the battle’s already won.
Never one to shy from a red carpet moment, Meghann Fahy channeled dramatic elegance in a stunning velvet gown at the 77th Primetime Emmy Awards.
At the 77th Primetime Emmy Awards in Los Angeles, Meghann Fahy made a powerful sartorial statement that perfectly balanced timeless glamour with a bold, contemporary edge. The actress stepped onto the red carpet in a striking Valentino Fall 2025 gown that was a masterclass in controlled drama. The dress, a deep black velvet, had a matte, light-absorbing texture that felt rich and luxurious, while its long sleeves and padded, architectural shoulders created a statuesque silhouette. The gown’s most arresting feature was its plunging neckline that descended to her navel, offering a modern, audacious twist to the otherwise classic silhouette. A single, high slit revealed a flash of her leg and the sleek black Christian Louboutin O Condora sandals , adding a touch of sensual movement to the look.
The styling was as intentional as the gown itself, with every accessory playing a crucial role. Fahy accessorized with an exquisite collection of Tiffany & Co. diamond jewelry , which provided a brilliant counterpoint to the gown’s dark, velvety texture. A shimmering diamond necklace graced her decolletage, complemented by matching diamond earrings and a Tiffany & Co. Schlumberger Ailsa Ring . Her hair was styled in soft, loose waves that cascaded over her shoulders, and her makeup was kept fresh and dewy, with a subtle pink lip and a defined eye, allowing the dress and jewelry to command the spotlight. She exuded a poised confidence, her subtle smile and calm pose hinting at a quiet mastery of the red carpet. The look felt both vintage-inspired and completely of the moment, a testament to her rising status as a style icon.
Are we witnessing the dawn of a new, understated Hollywood glamour—or is this just Meghann Fahy proving that sometimes, less truly is more on the red carpet ?
At Netflix’s 2025 Emmy Celebration (NYA WEST, Hollywood) on September 14, 2025, Emmanuelle Chriqui wore a sculptural white mini that balanced sleek modernity with old-Hollywood allure.
She pairs the look with pointed pumps that appear to be nude patent (elongating the leg) and a small clutch that reads warm-tan in the camera flash. Jewelry is deliberately spare: delicate drop earrings and a slim bracelet—tiny punctuation marks that let the dress speak.
Photographed against Netflix’s textured green wall at NYA WEST in Hollywood , Chriqui’s posture is relaxed but deliberate—shoulders back, chin lifted—a quiet confidence. The lighting accentuates the dress’s clean planes and the soft sheen of her skin, giving the whole moment a slightly cinematic stillness.
This is sculptural minimalism meeting old-Hollywood poise: the cut-away neckline nods to red-carpet sexiness, while the short hem and engineered tailoring recall the 1990s/early-2000s minimalistas (think—sleek, mostly-quiet glamour). Is it a throwback or a refinement? It’s both—modern minimalism with a wink toward classic sex appeal.
Hair pulled back into a glossy, slick style and restrained makeup let geometry and skin do the talking. The overall effect is taut and controlled—intentionally unfussy—so when she turns, the eye reads silhouette first, accessory second.
In a sea of maximal gestures, Chriqui’s pared-back silhouette proves you don’t need frills to make a statement—just the right negative space. So: bold perfection or Emmy-night risk that paid off?
For more pared-back red-carpet moments and how stars are redefining elegance, explore our celebrity style .
