At Netflix’s 2025 Emmy Celebration (NYA WEST, Hollywood) on September 14, 2025, Emmanuelle Chriqui wore a sculptural white mini that balanced sleek modernity with old-Hollywood allure.
She pairs the look with pointed pumps that appear to be nude patent (elongating the leg) and a small clutch that reads warm-tan in the camera flash. Jewelry is deliberately spare: delicate drop earrings and a slim bracelet—tiny punctuation marks that let the dress speak.
Photographed against Netflix’s textured green wall at NYA WEST in Hollywood , Chriqui’s posture is relaxed but deliberate—shoulders back, chin lifted—a quiet confidence. The lighting accentuates the dress’s clean planes and the soft sheen of her skin, giving the whole moment a slightly cinematic stillness.
This is sculptural minimalism meeting old-Hollywood poise: the cut-away neckline nods to red-carpet sexiness, while the short hem and engineered tailoring recall the 1990s/early-2000s minimalistas (think—sleek, mostly-quiet glamour). Is it a throwback or a refinement? It’s both—modern minimalism with a wink toward classic sex appeal.
Hair pulled back into a glossy, slick style and restrained makeup let geometry and skin do the talking. The overall effect is taut and controlled—intentionally unfussy—so when she turns, the eye reads silhouette first, accessory second.
In a sea of maximal gestures, Chriqui’s pared-back silhouette proves you don’t need frills to make a statement—just the right negative space. So: bold perfection or Emmy-night risk that paid off?
For more pared-back red-carpet moments and how stars are redefining elegance, explore our celebrity style .
At the “One Battle After Another” premiere, Chriqui channels cinematic noir—her tiered lace gown and plunging neckline whisper old-world drama with modern defiance.
Emmanuelle Chriqui’s arrival at the Hollywood premiere of One Battle After Another on September 8, 2025, felt like a scene from a monochrome dream—equal parts romantic and resolute. Her long black gown, sheer and intricately laced, unfolded in tiered layers that moved like shadowplay across the red carpet.
The deep V-neckline added a sultry edge, balanced by the gown’s belted waist that cinched the silhouette with quiet authority. The lace detailing—floral, delicate, and densely patterned—evoked Victorian elegance, but the styling was anything but nostalgic. This was gothic glamour reimagined for a woman who knows her angles and owns her narrative.
Chriqui’s pose was poised yet relaxed, one hand resting at her side, the other subtly angled to highlight the dress’s movement. The backdrop—a stark white wall emblazoned with the phrase “ONE BATTLE AFTER ANOTHER” in bold black text—only amplified the drama. It was fashion as statement, not just styling.
Accessories were minimal, letting the texture and cut of the dress take center stage. Her hair, softly waved and parted down the middle, framed her face with effortless grace. Makeup leaned into the mood: a smoky eye, nude lip, and skin that caught the light without competing with the lace’s intricacy.
For more moments where celebrities turn lace into power dressing, explore our archive of celebrity red carpet transformations.
Is lace having its revenge era—or is Chriqui simply reminding us that softness doesn’t mean surrender? Either way, the battle’s already won.
At Michael Rubin’s Casino Night, Graham channels sculptural ease—her draped teal satin and strappy heels evoke red carpet glamour with a kinetic twist.
Ashley Graham’s entrance at the REFORM Alliance Casino Night in Atlantic City wasn’t just a red carpet moment—it was a masterclass in movement. Her teal satin gown, asymmetrical and draped with precision, caught the light like a slow wave. The gathered bodice sculpted her silhouette with quiet drama, while the thigh-high slit introduced a flash of leg that felt more cinematic than sultry.
The fabric’s sheen—somewhere between ocean dusk and high-gloss lacquer—played beautifully against the event’s modern interior. Thin shoulder straps added delicacy, balancing the boldness of the drape. Her black strappy heels, minimal yet assertive, grounded the look with architectural clarity.
Graham’s pose was confident but unforced—one leg forward, shoulders relaxed, expression poised. In one frame, she’s joined by a guest in a classic tuxedo, the contrast amplifying her gown’s fluidity. In another, she stands beside a fellow attendee in a red satin dress, the pairing echoing a palette of jewel tones and gala grandeur.
Hair and makeup followed suit: softly waved locks and a neutral lip kept the focus on the dress’s sculptural lines. The lighting—bright, clean, and reflective—enhanced the satin’s texture, turning every step into a visual ripple.
