Emmy Rossum Debuts Urban Noir Look On ‘Furious’ Set

Emmy Rossum’s latest on-set appearance channels downtown noir with a tailored edge—pinstripes, platforms, and a red shirt that practically hums with attitude.

There’s something deliciously meta about Emmy Rossum filming a project titled Furious while dressed like a femme fatale who just stepped out of a neo-noir graphic novel. On the streets of New York, September 9, 2025, Rossum’s look wasn’t just camera-ready—it was street-style bait, paparazzi gold, and a quiet flex in tailoring precision.

Let’s start with the suit. A dark pinstriped two-piece, cut close to the body but not tight, gave her a silhouette that felt both classic and cinematic. The vertical stripes—thin, sharp, unapologetically Wall Street—played against the rebellious undertone of her red patterned shirt, which peeked out from beneath the jacket like a smirk. The shirt’s texture added depth, its print subtle enough to avoid clashing, bold enough to hold its own.

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Accessories were minimal but intentional. Black dress shoes grounded the look, while oversized sunglasses added a layer of mystery—part shielding, part styling. The real twist? Rossum stood atop a wooden platform, likely for framing purposes, but the visual effect was striking: a literal elevation of style. Her co-star, dressed in a more subdued navy suit and light blue shirt, served as contrast—Rossum was the visual anchor.

Hair was pulled back, makeup minimal. The focus was on the clothes, the stance, the vibe. It’s a look that fits squarely into the current wave of celebrity street style , where the sidewalk becomes the runway and the outfit tells a story before the script does.

Fresh from her turn in Netflix’s new series “Wayward,” Alyvia Alyn Lind attends her premiere (and frankly, serves a gothic, doll-like drama) at the Toronto International Film Festival.

Alyvia Alyn Lind arrived on the red carpet in a striking, black babydoll-style dress that felt both innocent and deeply mysterious. The gown’s top is defined by a sheer black material with a dramatic velvet bow at the bust, which adds a tactile, almost whimsical dimension to the look. The dress’s silhouette is loose and flowing, a far cry from the body-con styles often seen at premieres, and features a sheer, layered skirt that trails slightly behind her. The fabric, a light organza or tulle, gives the piece an ethereal, almost floating quality.

Lind’s styling is a masterclass in mood-setting. Her blonde hair is styled in a tousled, slightly undone wave, perfectly complementing the soft, dreamlike quality of her dress. The makeup follows a similar romantic, slightly moody theme—a dark, smoky eye and a nude lip that emphasizes the gothic-lite aesthetic.

The only visible accessory is a pair of simple black open-toed shoes, which disappear beneath the hem of her dress, ensuring the focus remains squarely on the ethereal silhouette. The overall effect is a modern interpretation of a classic Goth-lite sensibility, proving that you can make a powerful statement without a restrictive fit.

Grace Van Patten brought minimalist magnetism to the TIFF red carpet—her black microdress and crimson clutch proving that quiet confidence still turns heads.

At the 2025 Toronto International Film Festival, where cinematic debuts meet fashion’s most photogenic moments, Grace Van Patten arrived at the “Swiped” premiere with a look that was refreshingly direct—no frills, no fuss, just pure presence.

Her outfit was a masterclass in monochrome restraint. The short black dress, tailored to skim the body without clinging, offered a silhouette that was both youthful and sharp. The fabric appeared matte under the camera flashes, absorbing light rather than reflecting it—a subtle nod to the understated elegance that’s been creeping back onto red carpets this season. The hemline hit mid-thigh, balancing the simplicity of the cut with a dose of red carpet flirtation.

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Accessories were minimal but strategic. A small red handbag—structured, vivid, and unapologetically bold—punctuated the look with a pop of color that felt almost cinematic against the black ensemble. Black high heels elongated the leg line, anchoring the outfit in classic glamour without veering into overstatement.

This look fits squarely within the current wave of red carpet minimalism—where the emphasis is on silhouette, proportion, and one strong accessory. It’s a style philosophy that echoes the quiet luxury movement, but with a Gen Z twist: less about stealth wealth, more about intentional simplicity.