Erin Doherty wore a sculptural white top with black wide-leg trousers at the 2026 BAFTA Tea Party in Los Angeles on January 10.
Erin Doherty at the 2026 BAFTA Tea Party in Los Angeles, January 10. She stands on the gray carpet, hands in pockets, not a hint of nerves. The top is white, crisp, sculptural–one shoulder bare, the other wrapped in folds and cutouts, like someone started with a classic shirt and just kept going. Sleeves rolled, collar open, a little off-balance but on purpose. Black wide-leg trousers, high-waisted, sharp crease down the front. Black pointed shoes, barely peeking out. No necklace, just small silver hoops. Hair slicked back, face clean, a little pink on the lips, nothing extra.
It’s a look that doesn’t beg for attention. No shimmer, no fuss. Just lines and angles, a bit of tension in the way the shirt sits. Feels like she’s more interested in comfort than in making a scene. The whole thing is a quiet kind of cool–almost like she’s stepped out of a backstage fitting, not a red carpet. For those who follow red carpet fashion , it’s a reminder that sometimes the best style is the one that doesn’t try to be anything but itself.
She looks ready for a conversation, not a photoshoot. No drama, just a woman in black and white, standing still, letting the clothes breathe. The night will go on, and so will she–unbothered, a little mysterious, and not in any rush to explain.
Jameela Jamil wore a strapless black and white dress with nude pumps at the 2026 BAFTA Tea Party in Los Angeles on January 10.
Jameela Jamil at the 2026 BAFTA Tea Party in Los Angeles, January 10. She stands with one hand on her hip, the other relaxed, a small smile–half challenge, half invitation. The dress is strapless , black bodice with a white scalloped edge, almost like a cartoon heart drawn in chalk. The skirt is white, draped, soft, crossing at the front and showing just enough leg to keep things interesting. No sequins, no wild prints, just a clean split between black and white.
Her hair is long, loose, and shiny, with full bangs–classic Jameela. Makeup is warm, a little glow on the cheeks, lips a muted rose. Jewelry is minimal, just a ring and a delicate necklace. Shoes are pointed, nude, nothing flashy. The whole look is simple, but not plain. There’s a kind of old-school movie star energy, but filtered through a modern, slightly mischievous lens.
It’s not a look that begs for attention. It just stands there, confident, a little playful, not trying to outshine anyone. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to keep it direct–black, white, a little attitude, and a lot of ease.
Emily Blunt wore a black embellished cropped jacket and pants by Carolina Herrera at the WWD Style Awards in Santa Monica on January 9, 2026.
Emily Blunt at the WWD Style Awards in Santa Monica, January 9, 2026. She’s standing on the red carpet, one hand on her hip, the other relaxed. The look is sharp–black, cropped, and a little bit tough. The jacket is short, boxy, covered in tiny black embellishments that catch the light but never shout. Underneath, a matching bandeau, bare midriff, no fuss. The pants are high-waisted, slim, cropped just above the ankle. Her shoes–pointed, black, with a crystal strap–Miu Miu, if you’re counting.
Jewelry is layered but not overwhelming. Two diamond chokers, a pair of small earrings, a bracelet. All Anita Ko, all visible, all cool. Hair is parted in the middle, pulled back, a few loose strands. Makeup is clean, a little glow, nothing heavy. She looks comfortable, not stiff. Like she could walk off the carpet and straight into a late dinner.
There’s a kind of modern armor here–tailored, a little severe, but softened by the sparkle and the bare skin. It’s not a dress, not a gown, not a safe choice. Feels like she’s in on the joke, not taking the whole thing too seriously. For those who track red carpet fashion , it’s a reminder that sometimes the best look is the one that feels a little unfinished, a little risky, but totally her.
No drama, no big statement. Just a woman in a black suit, standing under bright lights, looking like she’s got better places to be. The night keeps moving, and so does she.
