Erin Doherty wore a sculptural mint green satin gown with white pointed pumps to the 2026 Critics Choice Awards ceremony.
Erin Doherty is standing on the dark carpet at the Barker Hangar. It is January 4, 2026. She is wearing a dress that looks less like clothing and more like a piece of complex origami. It is strapless, rendered in a high-shine satin the color of spearmint toothpaste or perhaps a vintage Cadillac. The silhouette is the main character here—a fitted bodice that explodes into a structured, angular bubble skirt, tapering back in at the ankles. It is a sharp, geometric interruption in the usual flow of liquid celebrity style .
Natasha Lyonne wore a black sequined long‑sleeve top with flared pants at the 31st Annual Critics Choice Awards in Santa Monica 2026.
Santa Monica, January 4th. The carpet lined with logos — FIJI, milagro, Critics Choice Awards stamped across the backdrop. Natasha Lyonne stepped into that frame in a look that felt both sharp and playful.
Black sequins, head to toe. A long‑sleeved top, fitted but not stiff. Flared pants breaking wide at the hem, catching the light with each move. The outfit leaned into texture, not embellishment. Sequins scattered across fabric, more grit than glitter.
Hair styled loose, jewelry not obvious. No clutch, no fuss. Just the outfit itself, carrying presence through cut and shine. It wasn’t a gown moment, it was something else — a suit’s energy, but softened by sequins.
Mia Goth wore a white custom Dior gown with Gem Dior jewelry to the 2026 Critics Choice Awards ceremony.
Mia Goth is present at the Barker Hangar in Santa Monica. It is January 4, 2026. She is wearing a Dior Custom Dress . It is white. Not eggshell or ivory, but a dead, flat white. The gown is a column, severe and unadorned, save for a folded band of fabric that wraps around her shoulders, pinning her arms to her sides. It’s a look that feels less like fashion and more like a sculpture wrapped in a sheet before the unveiling. A very deliberate, very quiet moment in the noisy machinery of celebrity red carpet culture.
This is a pivot. Goth usually inhabits a space of “weird” fashion—eerie, frayed, slightly off-kilter. This is pristine. It evokes the energy of a runaway bride who decided to stop running and just stand very still. It fits into the current “modest luxury” wave but does so with a specific, almost clinical detachment. It suggests that the most radical thing one can do right now is look entirely blank.
The construction is impeccable, of course. It is Dior. The fabric falls without a single ripple. The off-the-shoulder wrap detail—a nod, perhaps, to the Dior Pre-Fall 2026 collection’s outerwear—softens the neckline but restricts gesture. She cannot wave. She can only pose. She accessorizes with Dior Gem Dior Earrings and a matching Dior Gem Dior Ring , small clusters of gold and stones that look like geological accidents rather than polished gems. The hair is pulled back, messy bangs falling into her eyes. It is beautiful, yes, but in a way that feels slightly frozen. A statue in a room full of people trying to be gifs.
