Erin Doherty wore a sculpted black gown with a folded skirt detail to the 83rd Golden Globe Awards in Beverly Hills, January 2026.
Erin Doherty stepped onto the Golden Globe Awards red carpet on January 11, 2026, in a gown that didn’t whisper or scream—it just stood its ground. No embellishment. No glitter. No overt statement beyond the structure . Her black gown —sleek through the torso, then dramatically pooled into folded, origami-like construction at the skirt—was less about being “pretty” and more about being composed.
There’s a quiet command in this kind of look. No one’s overwhelmed, but no one forgets what they’re looking at. The neckline is a sharp V, but softened just enough at the edges not to feel aggressive. Hair slicked back into a centro-symmetric bun that feels more ballet than beauty queen. Just a diamond tennis bracelet , a ring, a pair of small earrings—and done. No bag. No clutch. Nothing to fidget with.
Sophie Nelisse wore a sleek black halter mini dress and ankle-strap heels at the Whistle screening in Santa Monica on January 27, 2026.
Sophie Nelisse arrived at the Whistle screening at the Aero Theatre in Santa Monica on January 27, 2026, in a look that whispered minimal effort but came out flawless. The outfit: a sharp, curve-skimming black halter mini dress , high neckline snapping to attention like a collar but softened by the simplicity of the silhouette. No embellishment. No trick seams. Just structure and skin.
Her styling leaned into restraint. A pair of black ankle-strap heels , clean liner and gloss, and a low bun that looked like it might’ve been done in five minutes—but somehow still held through the entire event appearance . The makeup was soft-focus—muted lip, brushed-up brows, a little rose on the cheeks. Jewelry was minimal: a pair of subtle diamond studs and a single ring.
Kate Hudson wore a pink embroidered top and wide black trousers with a satin clutch to the Armani Prive Haute Couture show in January 2026.
Kate Hudson appeared at the Giorgio Armani Privé Haute Couture Spring/Summer 2026 show in Paris on January 27, 2026, in what felt like a direct pull from the house’s most tactile instincts. No gown. No drama-train or hourglass sculpting. She showed up in separates. Unexpectedly—refreshingly.
At the top: a boxy, short-sleeved jacket dripping in pink crystal embroidery , cinched ever so slightly at the waist, with a zipper that met a not-too-deep V neckline. The lower half: crushed black wide-leg trousers , high-shine, with that soft-sheen Armani irregularity. Fabric that wrinkles as a feature, not a flaw.
