Erin Doherty wore a tailored grey pinstriped suit with wide-leg trousers at Harper’s Bazaar Women of the Year Awards in London on November 6, 2025.
At the Harper’s Bazaar Women of the Year Awards held at Claridges Hotel in London on November 6, 2025 , Erin Doherty arrived in a look that fused classic tailoring with red carpet clarity. She wore a grey double-breasted pinstriped suit , featuring black buttons, structured shoulders, and wide-legged trousers , paired with black shoes that grounded the silhouette in editorial sharpness.
The suit’s clean lines and monochromatic palette projected red carpet arrivals-coded restraint , while the backdrop—branded with luxury sponsors like De Beers, Cartier, and Range Rover—reinforced the event’s prestige and fashion-forward tone.
In a space often dominated by gowns and embellishment, Doherty’s choice of suiting signaled a deliberate pivot toward couture-coded power dressing . The pinstripe pattern evoked heritage tailoring, while the wide-leg trousers introduced a sense of modern proportion.
This wasn’t a red carpet compromise—it was a red carpet assertion. The suit’s masculine structure and minimalist styling aligned with the broader 2025 trend of gender-fluid fashion moments , where elegance is defined by silhouette, not sparkle.
Doherty’s look didn’t just challenge expectations—it redefined them.
Nathalie Emmanuel wore a red off-shoulder floral gown at Harper’s Bazaar Women of the Year Awards in London on November 6, 2025.
At the Harper’s Bazaar Women of the Year Awards held at Claridges Hotel in London on November 6, 2025 , Nathalie Emmanuel arrived in a look that fused romantic elegance with red carpet clarity. She wore a form-fitting red gown with an off-the-shoulder neckline and subtle floral pattern , styled with pulled-back hair, red lipstick, and statement earrings that reinforced the gown’s tonal precision.
The dress’s silhouette—structured through the bodice and flared toward the hem—projected celebrity red carpet fashion-coded refinement , while the high-gloss floor and chandelier-lit venue added a layer of cinematic punctuation.
In a room filled with gowns vying for attention, Emmanuel’s look stood out for its editorial restraint and tonal cohesion . The off-shoulder neckline evoked classic Hollywood glamour, while the floral motif introduced a layer of softness that balanced the gown’s architectural fit.
This wasn’t a fashion moment designed for provocation—it was designed for permanence. The red palette, echoed in her lipstick and accessories, aligned with the broader 2025 trend of monochrome-coded elegance , where color becomes narrative and silhouette becomes statement.
Emmanuel’s styling signals a shift toward legacy-coded red carpet dressing , where every element is curated for resonance, not reaction.
Erin Doherty wore a sculptural black gown with honeycomb texture and reflective finish at the 77th Primetime Emmy Awards in Los Angeles on September 14, 2025.
At the 77th Primetime Emmy Awards held at the Peacock Theater in Los Angeles on September 14, 2025 , Erin Doherty arrived in a look that fused futuristic texture with red carpet clarity. She wore a voluminous black gown featuring a honeycomb-like surface and reflective finish , styled with a scoop neckline, sleeveless bodice, and floor-length skirt that emphasized sculptural drama.
The gown’s dimensional surface and light-reactive sheen projected red carpet fashion-coded punctuation , while Doherty’s styling— minimal jewelry, sleek hair, and pointed black heels —allowed the dress to dominate the visual field. Holding her Emmy trophy, she embodied the intersection of achievement and aesthetic precision.
