Esther-Rose McGregor wore a white suit with flared pants and a bold green blouse for The Hollywood Reporter’s Next Gen 2025 editorial photoshoot in November 2025.
For The Hollywood Reporter’s Next Gen 2025 feature in November , Esther-Rose McGregor appeared in a look that fused celebrity photoshoot-coded vibrancy with editorial spread-coded clarity . She wore a white tailored suit with flared pants , layered over a bright green blouse , creating a striking contrast that emphasized proportion and color play.
The pose—seated on a dark red carpeted floor with arms resting casually—reinforced the look’s styled shoot-coded unconventionality , situating the ensemble within a narrative of fashion spread-coded experimentation . The dramatic lighting cast shadows that added depth, projecting studio portrait-coded artistry .
Olivia Jade wore a strapless black gown with sheer side panels and a ruffled train at The Running Man New York premiere on November 9, 2025.
At the New York premiere of The Running Man on November 9, 2025 , Olivia Jade arrived in a look that fused red carpet fashion-coded drama with celebrity look-coded polish . She wore a strapless black gown featuring sheer side panels and a ruffled train , paired with black high-heeled sandals and a black clutch .
Her styling included bangs framing her face , reinforcing the look’s red carpet arrivals-coded sophistication . The gown’s interplay of transparency and structure projected couture dress-coded geometry , situating the ensemble within a narrative of fashion moment-coded clarity .
Anya Chalotra wore a black cutout dress with radiant skin, natural glow, and sleek hair styling for The Guardian editorial portrait on October 31, 2025.
For her October 31, 2025 feature in The Guardian , Anya Chalotra appeared in a look that fused celebrity beauty look-coded restraint with editorial portrait-coded sophistication . She wore a form-fitting black dress with long sleeves and a side cutout , styled with dark shoulder-length hair and a neutral expression .
The lighting—dramatic and moody—highlighted her radiant skin and natural glow , situating the look within a narrative of red carpet beauty-coded minimalism translated into editorial form. The absence of bold lips or smokey eye makeup reinforced the ensemble’s makeup inspiration-coded clarity , emphasizing skin tone and silhouette.
British model Esther Rose McGregor, daughter of Ewan McGregor and Eve Mavrakis, made a glowing appearance at the world premiere of “The Room Next Door” during the 62nd New York Film Festival in the USA on October 4, 2024
