Esther McGregor, ever the captivating muse, delivers an editorial that marries academic charm with effortless cool, proving intellect and style are, in fact, always in vogue (even with a dash of disarming vulnerability).
There’s a quiet magnetism in the air as Esther McGregor steps into the pages of Polyester Magazine’s June 2025 issue, captured through Lewis Vorn’s perceptive lens. The shoot eschews overt drama for something more nuanced: a thoughtful exploration of youth, intellect, and an understated rebellion. At its heart lies a deceptively simple yellow mini-dress, its bright hue and white trim — a subtle nod to classic athletic or collegiate wear — becoming a canvas for McGregor’s varied expressions and moods.
Ceara Coveney, with her fiery presence, commands attention in TMRW Magazine’s latest spread, delivering a blend of fierce glamour and quiet intensity (a true study in contrasts).
There’s an undeniable pull to Ceara Coveney’s latest editorial for TMRW Magazine, lensed with astute precision by Jack Margerison for the May 2025 issue. It’s a study in modern power dressing, where traditional notions of femininity are subtly twisted, creating a compelling narrative of strength and sophistication. Coveney, with her striking red hair, navigates each frame with an innate understanding of light and shadow, delivering a performance that is both arresting and profoundly intimate.
Margaret Qualley leaned into quiet luxury—Chanel camellias, grosgrain Mary Janes, and a black-on-black palette—at Netflix’s “Happy Gilmore 2” premiere in New York.
Margaret Qualley doesn’t shout on the carpet—she murmurs, with intention. At the Happy Gilmore 2 New York premiere on July 21, 2025, held at Jazz at Lincoln Center, the actress arrived in a look that whispered Chanel from every angle. No gimmicks, no theatrics—just a masterclass in modern restraint.
