Eva Longoria wore a red velvet blazer dress with gold buttons for Télé 7 Jours December 2025 cover.
Eva Longoria graces the cover of Télé 7 Jours for its December 20–26, 2025 issue, appearing in a red velvet blazer dress with structured tailoring and gold buttons. Her arms crossed and smile relaxed, she projects confidence and festive elegance against a monochromatic red backdrop. The styling is sharp yet restrained, with nude heels elongating the silhouette and natural makeup keeping the focus on the garment’s richness.
From a cultural standpoint, this cover ties directly to Longoria’s expanding culinary and media ventures. In her interview, she reflects on her lifelong passion for food, recalling family traditions of preparing tamales at Christmas and her documentary series Voyage Culinaire , which explores culinary heritage across Mexico, Spain, and France. She emphasizes the universality of sharing meals, recounting encounters with artisans, farmers, and families whose traditions embody cultural identity. Longoria also highlights her professional projects, including collaborations with Netflix, her enduring ambassadorship with L’Oréal, and her commitment to supporting women and children through charitable initiatives. This narrative of food, culture, and empowerment seamlessly complements the festive styling of the cover.
Laura Dern wore five distinct high-fashion editorial looks for DUJOUR Magazine’s Winter 2025 issue.
Laura Dern anchors DUJOUR Magazine’s Winter 2025 issue with a commanding editorial presence across five distinct fashion compositions. The shoot, set against a palette of neutral backdrops and architectural elements, showcases Dern’s ability to inhabit style with both gravitas and playfulness—each look a study in texture, silhouette, and mood.
The cover image sets the tone: Dern stands beside a black column in a long, elegant green gown. The dress’s fluidity contrasts with the column’s rigidity, creating a visual tension that underscores her stature. The muted grey background allows the rich green to dominate, framing Dern as both muse and monument.
In the second look, she leans forward in a black-and-white houndstooth suit, seated on a modern chair with a bold oval cutout. The pose is assertive, the styling sharp. This is power dressing reimagined—classic pattern, contemporary posture. The soft lighting and grey backdrop lend the image a cinematic stillness, allowing the suit’s geometry to speak.
The third ensemble features Dern reclining in a studio lounge chair, wearing a black double-breasted blazer over a beige skirt with circular embellishments. Black tights and red heels add contrast, while loose waves and a necklace soften the structure. The visible studio equipment—light stands, textured backdrop—remind us this is fashion in process, not just product.
In the fourth frame, she lies on a bed in a sleeveless white dress adorned with metallic embellishments. The setting is intimate, the styling ethereal. The jeweled detailing catches the soft light, turning the bedroom into a stage. It’s a beauty shot that whispers rather than shouts, relying on composition and restraint.
The final look places Dern beside a staircase with a wrought iron railing shaped like tree branches. She wears a sheer white blouse under a fitted black dress, patterned stockings, and black-and-white pointed shoes. One arm raised, one hand on hip, she channels editorial elegance with architectural precision. The setting’s clean lines and organic metalwork echo the outfit’s balance of structure and softness.
Whitney Peak wore four distinct high-fashion editorial looks for FLAUNT Magazine’s December 2025 issue.
Whitney Peak commands the frame in FLAUNT Magazine’s December 2025 editorial, photographed by David Bellemere, where four distinct fashion compositions unfold across urban and studio settings. The shoot is a study in contrasts—each look a standalone statement, yet collectively forming a cohesive narrative of glamour, grit, and editorial precision.
The cover image sets the tone: Peak reclines on a plush magenta couch in a vibrant pink outfit with a jeweled neckline and dramatic sleeves. Black high-heeled shoes and wrist accessories complete the ensemble, while her voluminous curls amplify the visual impact. This is not just a beauty shot—it’s a declaration of presence, where color, texture, and posture converge to create a cinematic tableau.
In the second look, she stands confidently on a city sidewalk in a form-fitting, textured black outfit with a patterned design. High-heeled shoes and dramatic lighting—sunlight streaming from the left—cast her in a sculptural glow. The architectural backdrop reinforces the outfit’s structured elegance, suggesting a dialogue between fashion and urban form.
The third ensemble features Peak in a sleeveless, high-neck gown with a floral lace overlay in light gold. A high slit reveals black lace and stockings beneath, paired with high-heeled sandals and long dangling earrings. Her pose—hands raised to the head—feels theatrical, while the lighting highlights her curly hair and the gown’s intricate detailing. This look bridges classic elegance with editorial drama.
The final outfit places her in the middle of a European-style street, wearing a voluminous peach and cream gown with ornate floral and scroll embroidery. The sheer fabric and flowing silhouette evoke romanticism, while the visible “ZIMMERMANN” branding grounds the look in contemporary fashion culture. Her direct gaze and confident stance transform the street into a runway, blurring the line between public space and fashion stage.
