For the Wednesday Season 2 premiere in London, Evie Templeton unveils a darkly romantic look, proving the goth-chic aesthetic—like the show itself—is here to stay.
There’s a particular kind of fashion moment that feels predestined, as if the celebrity and the garment were always meant to meet. At the London premiere for Wednesday Season 2 , Evie Templeton had one of those moments. Stepping onto the purple carpet, she debuted a look that felt both utterly her own and perfectly in sync with the show’s macabre charm. This wasn’t a costume; this was a statement.
Templeton attended the event in a magnificent black gown, a creation that masterfully blended whimsy and high-fashion drama. The dress featured a delicate bodice with thin spaghetti straps, intricately embroidered with dark, swirling appliqués that hinted at organic, almost shadowy forms. This wasn’t just embroidery; it was a textile landscape, a secret garden grown in midnight hues. The skirt cascaded into a full, frothy silhouette of sheer, dotted tulle, giving the illusion of a ghostly mist swirling around her. It was a study in contrasts: a structured bodice giving way to an ethereal, flowing skirt. It’s the kind of dress that makes you stop and stare.
Her styling was a lesson in minimalist synergy. She kept her accessories light, opting for a simple, elegant ring that complemented the dress without competing with its texture. Her hair, a striking shade of red, was pulled back, allowing the architectural details of the gown and her fresh, glowing makeup to take center stage. Her attitude on the red carpet was one of poised confidence, a quiet power that matched the sophisticated darkness of her look. The whole ensemble seemed to whisper, “Wednesday’s world is a beautiful, twisted place,” and we, the audience, were more than ready to enter it.
Is this the new face of gothic glamour—less about heavy chains and more about delicate, intricate textures? Perhaps. It’s a look that feels both historic and utterly contemporary, a catwalk coup that is sure to be talked about. The dress, the styling, the attitude—every element worked in harmony to create a singularly memorable fashion moment for the London premiere of Wednesday Season 2 , July 30, 2025. It’s a testament to Templeton’s burgeoning style that she can carry such a look with such natural grace.
So, is this a foreshadowing of the show’s darker turn, or is it just Evie Templeton proving that black never, ever goes out of style? We’re betting on both.
In a behind-the-scenes peek at her Teen Vogue photo diary, Jenna Ortega unveils her new gothic-chic beauty looks for Wednesday Season 2.
Sometimes the most compelling fashion and beauty stories happen off the red carpet, in the quiet, creative hum of a dressing room. That’s precisely the case with Jenna Ortega, who in her exclusive Teen Vogue photo diary , unveils the subtle, yet powerful, evolution of her character’s aesthetic for Wednesday Season 2 . This is more than just makeup; it’s a character study in pigment and mood.
The first image captures a Wednesday in repose, a moment before the chaos begins. Ortega’s hair is styled in the character’s signature twin braids, a stark frame for a face with barely-there makeup—a whisper of shadow, a hint of a lip tint. She wears a minimalist black turtleneck under a sleek, almost industrial-looking black vest, a look that is both modern and undeniably Addams. The entire ensemble reads as a kind of proto-goth uniform, a clean slate before the macabre artistry begins.
Then, there’s the second image—a jolt of visual drama. The transformation is complete. The clean lines give way to a more theatrical, emotionally charged look. Ortega’s eyes are framed by a makeup that appears to be streaming down her face, a beautiful, haunting mess of smudged liner and shadow, as if the character has been crying black tears. It’s a look that feels both cinematic and raw, a bold departure from the previous season’s more contained beauty. This makeup isn’t just an accessory; it’s a plot device.
In the Teen Vogue photo diary , Ortega offers a rare, unfiltered look into the creative process. This isn’t just about what she’s wearing or how she’s styled; it’s about the intricate work that goes into building a world-famous character. The juxtaposition of the two images—one serene and poised, the other a portrait of emotional intensity—is a clever piece of visual storytelling. It suggests a darker, more complex journey for Wednesday in the new season. This is a beauty trend that feels less about emulation and more about artistic expression.
So, are we witnessing the debut of the “crying black tears” makeup as a new gothic beauty standard—or is this just Jenna Ortega once again reminding us of her formidable range, both as an actress and a style icon? The answer, as always with Wednesday, is delightfully murky.
Never one to recede from the cultural conversation, Angelina Jolie debuts a vision of quiet power for Madame Figaro, proving that true influence—and spectacular style—is an inside game.
There’s a specific kind of luminescence that follows Angelina Jolie, and it’s not merely the flash of paparazzi bulbs. It’s an inner glow, a soft-focus defiance that, in her latest cover story for Madame Figaro , shines with a potent, almost cinematic elegance. Forget red-carpet acrobatics; this is a masterclass in soft-power glamour.
The imagery unfolds with the narrative precision of a film. On the cover, Jolie attends to us in a strapless gown—a shimmering cascade of sequins and subtle paillettes that catches the light like scattered starlight. This is not a dress that screams; it whispers with the kind of sophistication that belongs to old Hollywood, updated for a new era. The cut is impeccable, a bustier silhouette that is both structured and utterly feminine. In a behind-the-scenes shot, we see her again, this time in a sculpted bustier top, its clean lines a study in modernist grace. This isn’t just clothing; it’s a statement about refined strength.
Her accessories are a symphony of minimalist luxury. A diamond necklace, delicate and radiant, rests against her collarbone. The brand, as the magazine’s text confirms, is Chopard, a detail that grounds this high-fashion moment in a foundation of timeless prestige. Paired with her hair styled in a casually sophisticated manner and a makeup palette that enhances rather than conceals, the overall effect is one of effortless confidence. As she tells Madame Figaro , she’s moved by stories of humanity and resilience—a sentiment that the photographs beautifully reflect. She is not just posing; she is projecting a narrative of purpose and grace.
In the interview, she shares insights that feel both deeply personal and universally resonant. She speaks of the importance of sharing experiences “with good people” and alludes to a creative life that is about more than just the spotlight. It’s a testament to her enduring presence that she can talk about everything from her mother’s influence to her work as an activist and still manage to look like the very definition of modern-day chic. Is this the new face of celebrity—a quiet, considered elegance that values substance as much as style?
Yes.
The styling credits, including her Chopard jewels and the careful artistry of the photography, all contribute to a cohesive vision. This isn’t just a photoshoot; it’s a mood board for a new kind of activism, one that understands the power of presentation. It’s a runway moment that feels both aspirational and deeply human.
So, is Angelina Jolie proving that the most compelling fashion statement is a commitment to a life lived with intention—or is she simply showing the rest of us how to dress with dignity? It’s probably a bit of both.
