Fina Strazza, captured in a candid moment at the 78th Annual Tony Awards afterparty in New York on June 8, 2025, brought a playful touch of old-Hollywood glamour to the evening. Her ensemble, featuring a dramatic feathered or perhaps faux fur boa, offered a delightful textural contrast to the celebratory atmosphere.
In the black-and-white image, Strazza is seen applying lipstick, her gaze fixed on a compact mirror, suggesting a fleeting, intimate moment amidst the post-show revelry. The plush, voluminous wrap drapes around her, evoking a sense of luxurious comfort. While the specific designer of her attire is unconfirmed, the overall effect speaks to a sophisticated yet whimsical aesthetic, perfectly suited for an evening celebrating Broadway’s biggest night. Her choice of subtle earrings and a dark bracelet adds to the refined feel. The setting, with framed artwork and what appears to be a floral arrangement in the background, further accentuates the exclusive, intimate vibe of the afterparty.
Fina Strazza’s ivory peplum gown—equal parts Old Hollywood and modern restraint—whispered of bygone glamour, with just enough edge to keep us guessing.
There’s something quietly radical about choosing restraint on Broadway’s loudest night. At the 78th Annual Tony Awards, held June 8, 2025, at Radio City Music Hall, Fina Strazza stepped onto the red carpet in a look that didn’t scream—it lingered.
Lidia Bosch graced the 2nd Edition of the Academia de la Moda Española Awards in Madrid, her ivory gown a quiet declaration amidst the vibrant red carpet — a soft-focus moment in a world often screaming for attention.
Bosch, ever the understated presence, opted for a sleek, off-the-shoulder column gown that cascaded effortlessly, its fluid satin fabric catching the light with a subtle gleam. The silhouette, a masterclass in elegant simplicity, featured a delicately draped neckline that hinted at Grecian influences without veering into costumey territory. It was a look that spoke volumes through its restraint, a sophisticated counterpoint to the more overt declarations often seen at such events.
