FKA Twigs wore a draped earth-toned gown and spiked red hair to the 2026 Grammy Awards after winning Best Dance/Electronic Album.
At the 68th Annual Grammy Awards , FKA Twigs hit the red carpet looking like she’d just stepped out of some forgotten myth. The dress? A distressed, layered skin of peach, chestnut, and singed-rose gauze —half unraveling, half sculptural—draped across her torso like wind-tossed bark, held in place by knotted cords and what looked like metallic insects perched along the seams.
The construction blended fragility with firmness. You could imagine it tearing if you blinked wrong… except it never did. The fabric hung unevenly in strips that floated behind her—ghost limbs with no weight. Her legs, visible through sheer panels, were sheathed in matching mesh tights that bore black tattoo-style roses , etched from ankle to upper thigh. The left leg bore a gore-ish flourish: a sculpted anthurium flower , blood-red and curling out from the dress like something growing, not attached.
None of this, though, could compete with her hair. A piercing, electric red , pulled into molded oxidation spikes reaching outward like flames crossing a wind tunnel. Between the peaks of fire, strands of slick braids coiled down her back, anchored with black binds and little charms. She didn’t accessorize much—maybe one silver cuff on her right forearm, a few rings, a weathered book-bound clutch clutched tight in one hand like she knew its secrets.
The whole thing wasn’t pretty. It was feral poetry . A little mad. A little transcendent. And deeply rooted in Twigs’s long-time obsession: the twisting of flesh and folklore into wearable performance.
The fashion verdict ? Not a look—an incantation. She wore ruin like a ritual and let it bloom.
Lola Young wore a cartoon-print olive green tracksuit with white socks and patent flats at the 2026 Grammy Awards red carpet.
At the 68th Annual Grammy Awards , Lola Young didn’t dress for the cameras. She dressed for herself—and maybe a mushroom-dwelling emoji character. On a night built for sequins and silhouettes, she arrived instead in a droopy, olive-green tracksuit splashed with soft-focus camouflage and airbrushed stencil prints of cartoon animals. Ducks. Teddy bears in oversized hats. Some frowning. Some a little eerie.
The sweatshirt bloused over loose-fitting drawstring pants gathered just tight enough to read “intentionally wrinkled.” Beneath the oversized collar, she layered a crisp white dress shirt with a dramatic, oversized spread and a vintagey red-and-blue striped tie , knotted high and off-center like it had been yanked in frustration. The whole look read like school uniform meets living room loungewear—with a dose of TikTok surrealism.
Hair was draped in long onyx waves, parted far to one side, with a section curled like punctuation across her forehead. Makeup leaned theatrically glam: overdrawn lashes, an arched brow that said “don’t try me,” and a constellation of faux freckles dotted across her cheeks. She wore black patent flats with glinting white socks pulled high—like recital shoes for a piano student gone rogue.
She carried no accessories. No earrings. No bag. Just an undeniable sense that nothing about the outfit happened by accident—even if it looked like it did.
The fashion verdict ? Satirical, strange, and deeply controlled. Lola didn’t wear the look so much as shrug it on like a private joke she dared us not to get.
Sharon Osbourne wore a sleek black gown with flared sleeves and an oversized crystal necklace at the 2026 Grammy Awards.
At the 68th Annual Grammy Awards on February 1, Sharon Osbourne made the case for unbothered clarity. She wore a pared-down yet calculated black long-sleeved gown , donning it with the kind of ease that needs no apology. The silhouette? Straight, ankle-grazing, with subtle tailoring through the torso and gently flared sleeves that framed her hands like punctuation marks.
But the quietness of the dress only made the necklace louder—an oversized crystal arrangement that almost looked armor-adjacent in its density. Stacked stones, maximal shimmer. It didn’t whisper statement; it barked it through clenched teeth (in a good way). The contrast between the slick black fabric and the aggressively icy jewelry worked. Against all odds.
Eyes hidden behind lightly tinted round sunglasses , as if to signal: thank you, I’m here, and no, I won’t blink. Her burnished red hair held tight structure in a tucked-under bob, and her lipstick tone matched—not exactly, but rhythmically. She wore a single bold black ring , big enough to catch light but not attention.
Shoes stayed hidden beneath the gown, and she made no attempt to flash them. Which added to the grounded energy of the whole look. It read like a woman fully aware of the circus, walking through it in silence.
The fashion verdict ? Barely moved—but never dulled. Osbourne let restraint do the talking, then decked her collarbone like a riot officer in rhinestones.
