Frédérique Bel wore a belted green leather jacket and black trousers with boots at the Marsupilami premiere in Paris, February 2026.
At the Marsupilami premiere in Paris on February 1, Frédérique Bel didn’t so much walk the carpet as stake cinematic claim to it. All angles. All attitude. It’s the kind of entrance that doesn’t whisper nostalgia or femininity—it clocks you with a cobalt stare and keeps moving.
She wears a bold green leather jacket , oversized through the shoulders, cinched at the waist with a matching leather belt—structured but not stiff, creased just enough to look like she sat at the edge of a velvet seat before stepping out. Underneath, something black and sculpted pokes through the slightly open neckline, inviting speculation but offering no answers.
Below: sharply fitted black leather pants stitched tight to the knees, then tucked into a pair of deep green pointed high-heeled boots . Cowboy-ish cut at the top. Theatrical but weirdly grounded. It’s all one palette—deep greens, electric and murky at once.
Add the spiked choker necklace —’90s goth meets cartoon villainess energy—and the entire thing collides into confidence. Not quite cosplay, not full biker. Something else: a character that hasn’t made it to screen yet, but could.
This isn’t your usual soft-focus red carpet fashion . It’s somewhere between promotional thriller poster and nightclub lounge act with a budget.
The power move here isn’t just the leather—it’s the refusal to play it safe when the cameras expect sweet.
Liberty Poole wore a burgundy vinyl jumpsuit with a deep halter neckline and black pointed heels at the GHD Speed Launch Event.
At the GHD Speed Launch Event in London, Liberty Poole brought shine, form, and full unapologetic energy. The kind of outfit that doesn’t care if it blends in or not—it’s built to cling, reflect, and own angles.
She wore a deep burgundy vinyl jumpsuit —glossy like cherry lacquer and molded to every curve. The halter cut drops into a deep, plunging neckline, front and center. Not just flirtatious—brazen. The material reflects every bit of light in the room, especially under the harsh flash of step-and-repeat lighting. The pants are seamless, spray-on tight to the ankle.
Shoes? Black pointed stilettos , classic and clean, adding height but not distraction. Accessories are minimal—just a pair of gold hoops , no necklace, no clutch. She doesn’t need adornment when the fabric itself is doing the talking. Hair is styled down in loose waves, tucked behind the ears with a slight ’90s gloss finish. The makeup reads warm—bronze and mauve on a whisper-pretty base, but it’s the vinyl that leads.
This is the kind of event appearance where body and shine say more than layering or complexity. It’s not innovating texture—it’s committing to one idea, loudly.
There’s no strategy here—just full-force presence wrapped in high-gloss confidence and a lot of skin.
Frédérique Bel wore a textured ivory coat over a lace-trimmed white dress with black accessories at the Wuthering Heights Paris premiere.
At the Paris premiere of Wuthering Heights , Frédérique Bel showed up dressed like the ghost of an heiress who never fully left the English countryside. There’s a kind of puckish drama here—all soft tones, stiff boots, and a hat that’s giving Wuthering cosplay in the chicest way.
She’s wearing a textured off-white coat , part-bouclé, part-faux fur, with pocket flares that look like they were built for petting. The cut is long, softly tailored, and worn open over a white lace dress that brushes just past the knee. The waist is cinched with a black waistband , grounding the brightness and keeping it from floating off into costume territory.
And then— the black patent ankle boots , laced up, heeled, slightly witchy. That touch alone stops it from being frothy. Add a black wide-brimmed felt hat and everything sharpens: sweet turns structured, winter white gets an edge. Hair down and straight, makeup soft with flushed tones. Nothing overly styled, except the effect.
This is the sort of red carpet fashion that isn’t reaching for trend—it’s speaking in silhouette, teasing a story, and doing it with texture as the main character.
The look lands because it feels aware of the setting, yet still a step removed—like she brought her own weather.
