Gemma Chan wore a black velvet gown with metallic accents at the Giorgio Armani Privé show during Paris Haute Couture Week in January 2026.
At the Giorgio Armani Privé Spring/Summer 2026 Haute Couture show in Paris on January 27, Gemma Chan delivered something so pared back it bordered on severe—but that’s what made it land. The dress: black velvet, floor-length, long-sleeved, no skin, no frills. Only texture. A structured silhouette with faint curve at the hip and defined shoulders. Matte, heavy fabric catching just enough shadow to move.
Light shimmer hits at the cuffs and around the neck—mock collar, split open into a stiff bow in the same glitter-dusted black. It’s not fussy, but definitely not careless. Glimmers just when the light permits. A black clutch, subtle weave texture, minimal hardware. Matching pointed pumps. Silver tones in small drop earrings. Makeup centered on a single idea: red lips, clean lines. No styling frills. It’s all clinical, cool, and almost monastic in mood.
Neve Campbell wore tailored black trousers with a white blouse and leather blazer at The Lincoln Lawyer Season 4 premiere on January 28, 2026.
For the Season 4 premiere of Netflix’s The Lincoln Lawyer , Neve Campbell kept things relentlessly simple—and that’s not a bad thing. A no-fuss black-and-white combination built around tailoring and quiet confidence. She wore a black leather blazer over a white blouse with a soft collar and subtle buttons, untucked just slightly, enough to feel lived-in rather than styled to death.
The trousers sit high but not exaggerated, slim cut, no break at the ankle. Clean. Black pointed heels peek out beneath, classic in shape, not screaming for attention. Almost everything about this look reads minimal but intentional. The kind of outfit that prefers eye contact over Instagram. Hair down, slightly waved, parted center—barely even touched. Makeup follows suit: light-handed, a bit of liner, a hint of rosiness, maybe some gloss. That’s it.
Wrapped snug around her arms? A shaggy, off-white faux fur stole with a bit of volume and no visible closure. Clutched, not worn. Like she’s warding off January chill with featherlight bravado. The earrings dangle, pretty, but unremarkable in a safe kind of way. It’s the fabric that carries the noise: ultra-shiny, borderline foil, throwing back every bit of event lighting. She paired the look with clear heels—plastic, not perspex—adding that final nod to early-aughts DIY glamour. Nails? Clean. Hair slicked up, not high, not aggressive. Just tight and high-shine. A neat bun without bravado.
