Genevieve Hannelius wore a white printed tee with metallic blue shorts and boots for Nyota Magazine’s editorial cover shoot in January 2026.
For the January 2026 issue of Nyota Magazine , Genevieve Hannelius was photographed somewhere playful–front and center in front of a vintage carousel. Not posing so much as simply existing in the frame. Hair down. Face direct. Arms casual. It’s not high fashion, but it doesn’t need to be.
She wears a basic white T-shirt with “GIRLHOOD” spelled across the chest in what looks like iridescent, slightly retro rhinestone lettering. Not flashy, but not background either. Paired with shocking blue shorts–shimmering, metallic, cut high on the thigh. They catch light like party streamers. Matte black boots at her feet. No jewelry. The vibe is stripped down, outside-in. Editorial with a side of sidewalk casual. A true celebrity photoshoot where styling meets simplicity–and lets the subject breathe.
Madelaine Petsch wore a crimson velvet cutout dress with strappy sandals in a late-night photoshoot captured for January 2026 editorial features.
Bathed in soft artificial glow against an empty balcony, Madelaine Petsch leans slightly across a railing, arms outstretched, posture relaxed but readied–as if the image was caught a second before something happened. Or just after she made sure nothing would.
She’s dressed in a curve-hugging crimson velvet dress, ruched down the sides, cut just below the knee. The upper body does something stranger–swirls of fabric wrap around her neck, dip at the décolletage, twist in and out like a stylized puzzle piece. No standard neckline here. Straps break off, loop around the shoulders, then disappear beneath the deep plunge of the bodice.
Kelli Berglund wore a textured white structured top with an olive-green midi skirt at the Armani Beauty Lounge event in Los Angeles in 2026.
At the Armani Beauty Luminous Lounge at The Grove in Los Angeles, Kelli Berglund slipped into camera range with something earnestly unfussy–yet not at all forgettable. Off the red carpet, brands like Armani seem less about declarations and more about texture, tone, and just enough structure to feel deliberate. That spirit showed up here in an outfit that didn’t need sequins to prove its worth.
She’s wearing a paper-textured white top–structured, molded, with camisole straps, visible seams, and two knife pleats cut into the hem for shape. The bodice snug. Slight curve at the bust. Not plasticky, not too rigid–a fabric somewhere between waffle cotton and soft canvas. Beneath it, an olive midi skirt with a straight cut and soft drape. Floor skimming but not dramatic. The real clincher? It’s all just this palette of cool neutrals–white, sage-olive, a dusted toe.
